Lesson 11 of 20Other Stringed InstrumentsBeginner

Strumming patterns

2:49

Tom Bekeny shows the percussive mandolin chop that drives a bluegrass band, accenting the backbeat to stand in for the drums.

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20 lessons (1h 18m) · 1 free
    • 01. Most common chords

      5:41

    • 02. Strumming patterns

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      2:49

    • 03. Chord shapes

      4:48

Lesson transcript

Percussive Chord Playing in Bluegrass

In today's lesson, we'll be exploring a percussive approach to playing chords in a bluegrass band. The key focus will be on accentuating the backbeat.

Understanding the Backbeat

  • If the music counts as 1 and 2 and 3 and 4, your playing will emphasize:
    • 1 and 2 and 3 and four
    • 1 and 2 and 3 and 4

To help you stay in time, you may want to lightly hit one of the low strings on "one."

Basic Percussive Technique

At its most pared-down version, you're just hitting the backbeat:

  • 1 and 2 and
  • 1 and 2 and
  • 1 and 2 and
  • 1 and 2.

This involves hitting a downstroke. You can make that chord very percussive to the point where it's hardly a note at all. Many contemporary bluegrass players employ this technique.

Exploring Different Sounds

  • You can also create a sound that's more "ringy":
    • Notice that this is hardly percussive at all.
  • The middle ground might be a blend of both techniques.

Achieving the Percussive Effect

To get the percussive sound, you need to control all the strings:

  • Cutting off the sound involves:
    • Letting up on the strings without completely taking your fingers off.
    • Instead of pressing down, release the tension slightly to let the strings come up to their normal height, which kills the sound.

Enjoying Rhythm in Bluegrass

Playing rhythm in a bluegrass band is really fun! There are many different sounds you can explore. Your palate will define how percussive you want to be.

Different Chord Varieties

  • You may want the chords to be:
    • A little more ringy
    • More percussive
    • Emphasize the downbeat

Another way to conceptualize this is "boom, chuck":

  • boom, chuck, boom, chuck
  • boom, chuck, boom, chuck
  • Leave the boom off for variation.

Experimentation

These are elements you can experiment with during your practice. See what happens and discover what works best in the context of the music you're playing.

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Meet your guru

Tom Bekeny

Tom Bekeny

Tom Bekeny is a mandolinist, fiddler and seasoned mandolin teacher who has performed and taught in the U.S. and abroad for over 40 years - so when he breaks down how to play, you are learning from someone who has spent a lifetime both on stage and in the lesson room.

He was the mandolinist in such San Francisco Bay Area bands as Done Gone, Tenbrooks, and an early version of the Grant Street String Band with Laurie Lewis. He has appeared with Peter Rowan, the Rowan Brothers, David Grisman, George Cole, vocalist Lua Hadar, and Jerry Garcia. Tom has played mandolin with the highly acclaimed Kathy Kallick Band for almost 20 years and has held the fiddle spot with California's premiere traditional bluegrass band, High Country, since 1988. He has recorded with many of these groups and was featured in the Summer 2009 issue of Mandolin Magazine.

Tom also plays in the wildly popular trad bluegrass "jam" band, Bangers and Grass, alongside west coast bluegrass luminaries Jim Nunally, Steve Pottier, Bill Evans and Chad Manning.

Beyond bluegrass, Tom plays jazz mandolin with his trio The Missing Man Quartet (MM4), which plays straight-ahead jazz with original arrangements drawing material from the world of jazz and Great American Songbook standards. He released a solo CD project ("Jazzolin") in 2013, on which he plays mandolin and fiddle backed by drums and bass.

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