Developing Bile 'Em Cabbage Down - double stops
Lesson time: (6min 26sec)
Course preview
This lesson is part of the course Beginning Mandolin with Tom Bekeny
Watch a preview of the full course below.
Lesson transcript:
Music Lesson: Exploring "Biolum Cabbage Down" with Double Stops
We're going to work further with the tune Biolum Cabbage Down.
Objectives:
- Focus on right-hand picking technique
- Introduce the concept of double stops
What is a Double Stop?
In classical music, a double stop is when you "stop" a string with your finger, stopping two strings simultaneously.
- In other words, you play two notes, usually adjacent notes.
- For our purposes, any two notes played together, typically on adjacent strings, will be called a double stop.
Demonstration of "Biolum Cabbage Down" with Double Stops
Let me show you this version of Biolum Cabbage Down using double stops. It's a good starting point, as it's more interesting to sound two notes together.
- The second note of the double stop is a harmony note.
- Typically, when playing double stops:
- One note is a melody note
- The other is a harmony note
The tune with double stops sounds like this (a little slower):
Refer to the tablature, and see if you can pick up some of this just from listening to this DVD.
Finger Positions and Shapes
-
First Position:
- Fourth fret with middle finger
- Open E (first double stop)
-
Second Position:
- Fifth fret on the A string with ring finger
- Index fingers fretting on the second fret of E
-
Third Shape:
- Second fret with index finger and open E as the harmony note.
-
Fourth Position:
- Hitting two A notes:
- Open A
- A note on the D string (ring finger at the seventh fret)
- Hitting two A notes:
Technique Tips
- Keep your wrist loose:
- Playing tightly makes it hard to swipe across the strings properly.
Variations
You can play the same sequence but end with the last note an octave lower:
- Instead of playing the C# and E above, play them lower.
Right-Hand Technique
- Use the same rhythm with your right hand without bracing, almost like playing chords.
- This will enhance your playing as you sound better when it's sped up.
Setting the Tempo
One more thing about playing an instrumental:
A common tradition in old-time fiddle and bluegrass music is a particular way to set the tempo for the song. A typical way to kick this tune off might be:
"To set the tempo for the band, play a sequence called eight potatoes."
- This involves two measures of four beats each, hitting a double stop of a unison.
- For the first beat of each measure, slide up.
I will also have this written out in tablature for you, so you get the idea.
That's the idea for this lesson! Enjoy practicing!
About the instructor

Tom Bekeny is a mandolinist, fiddler and seasoned mandolin teacher who has performed and taught in the U.S. and abroad for over 40 years - so when he breaks down how to play, you are learning from someone who has spent a lifetime both on stage and in the lesson room. He was the mandolinist in such San Francisco Bay Area bands as Done Gone, Tenbrooks, and an early version of the Grant Street String Band with Laurie Lewis. He has appeared with Peter Rowan, the Rowan Brothers, David Grisman, George Cole, vocalist Lua Hadar, and Jerry Garcia. Tom has played mandolin with the highly acclaimed Kathy Kallick Band for almost 20 years and has held the fiddle spot with California's premiere traditional bluegrass band, High Country, since 1988. He has recorded with many of these groups and was featured in the Summer 2009 issue of Mandolin Magazine. Tom also plays in the wildly popular trad bluegrass "jam" band, Bangers and Grass, alongside west coast bluegrass luminaries Jim Nunally, Steve Pottier, Bill Evans and Chad Manning. Beyond bluegrass, Tom plays jazz mandolin with his trio The Missing Man Quartet (MM4), which plays straight-ahead jazz with original arrangements drawing material from the world of jazz and Great American Songbook standards. He released a solo CD project ("Jazzolin") in 2013, on which he plays mandolin and fiddle backed by drums and bass. read more




