Tremolo on the Mandolin

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Tom BekenyWhat's in the course
20 lessons (1h 18m) · 1 freeLesson transcript
Tremolo Playing on the Mandolin
Let's talk a little bit about tremolo playing with the mandolin. Tremolo is the mandolin's way of sustaining a note over a longer period.
Why Tremolo is Ideal for Mandolin
The mandolin is particularly well-suited for this technique due to its double chorus of strings. With pairs for each note (G, D, A, E), tremolo sounds even better on this instrument. While you can play tremolo on single-string instruments like the acoustic guitar, the mandolin truly excels in this area.
How to Practice Tremolo
Here's a simple way to practice:
- Choose an open string. For example, let's take the D string.
- Play back and forth slowly at first.
- Keep your wrist loose.
- Gradually build up speed.
- Aim for a smooth, unbroken sound.
You can hear how this technique creates the illusion of rolling a note or sustaining it.
The Importance of Tremolo in Bluegrass
This aspect of playing, especially in contemporary bluegrass mandolin styles, has somewhat dropped out of practice. However, it's something I really appreciate about the mandolin.
Influential Tremolo Players
Some notable tremolo players include:
- Bill Monroe ? A great tremolo player.
- Frank Wakefield ? Contemporary influences.
- David Grisman ? Known for his expressive use of tremolo; it's one of my favorite parts of his playing.
Tips for Practicing
- Start off slow and work up to speed.
- Keep your playing even.
- Maintain a loose wrist throughout your practice.
You may also want to practice this as an exercise across all the open strings. Happy practicing!
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Meet your guru

Meet your guru
Tom Bekeny is a mandolinist, fiddler and seasoned mandolin teacher who has performed and taught in the U.S. and abroad for over 40 years - so when he breaks down how to play, you are learning from someone who has spent a lifetime both on stage and in the lesson room.
He was the mandolinist in such San Francisco Bay Area bands as Done Gone, Tenbrooks, and an early version of the Grant Street String Band with Laurie Lewis. He has appeared with Peter Rowan, the Rowan Brothers, David Grisman, George Cole, vocalist Lua Hadar, and Jerry Garcia. Tom has played mandolin with the highly acclaimed Kathy Kallick Band for almost 20 years and has held the fiddle spot with California's premiere traditional bluegrass band, High Country, since 1988. He has recorded with many of these groups and was featured in the Summer 2009 issue of Mandolin Magazine.
Tom also plays in the wildly popular trad bluegrass "jam" band, Bangers and Grass, alongside west coast bluegrass luminaries Jim Nunally, Steve Pottier, Bill Evans and Chad Manning.
Beyond bluegrass, Tom plays jazz mandolin with his trio The Missing Man Quartet (MM4), which plays straight-ahead jazz with original arrangements drawing material from the world of jazz and Great American Songbook standards. He released a solo CD project ("Jazzolin") in 2013, on which he plays mandolin and fiddle backed by drums and bass.
































