Three note shapes and shells

Tim Richards
Tim Richards

Lesson time: (3min 39sec)

Tim Richards introduces three-note chord shapes and shells for jazz piano, showing how to voice short two-five progressions by moving just one note.

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This lesson is part of the course Jazz Piano: Harmony & Improvisation
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Lesson transcript:

Love That Man - Music Lesson

The next tune, Love that Man, was actually inspired by the famous standard Lover Man, written in 1945. It has been played by countless musicians, including:

  • Charlie Parker
  • Sarah Vaughan
  • Billie Holiday (who famously recorded this tune)

Key Features

  • Tempo: Slow tempo with a kind of 12/8 feel.
  • Chord Progressions:
    • Short two-fives: D minor to G7
    • G minor to C7 (bars three and four)

When you have these chord pairs, think of them as like brother and sister. You can play the same scale over both of them, but also try to move only one note.

Chord Shapes

Here's your D minor 7 root position. You don't need to go to the second inversion; you can keep the A in there and just move C to B.

  • You may have noticed I was doing just that in the previous tune, G Minor Waltz:
    • I wasn't putting the root in the dominant chord.

The equivalent can also be done in other inversions by just moving C to B.

  • The seventh falls to the third:
    • D minor, third inversion moves down to B, becomes G9 (first inversion).

Practice these shapes in your left hand as well. They are all four-note shapes, and it's quite effective to do something similar with three-note shapes too since the fewer notes you're playing, the further down the keyboard you can go.

Additional Techniques

  • Here's my three, seven, three, and seven on the bottom:
    • Seventh falls to third.

To make it a bit more jazzy, you would play the ninth on top of the D minor. This ninth is E, and if you keep that in, it becomes the 13th of the G chord.

These shapes are commonly used in jazz piano since the 1940s.

Final Shapes

Here's the final shape with the seventh on the bottom. Get familiar with these shapes and play them for G minor and C7 as well. You'll come across them again in the arrangement of Love That Man.

You'll also encounter the left hand played as shells, another style we've looked at already.

Left Hand Shapes for 2-5 Progressions

Here are the two possibilities for a 2-5:

  1. C Major:

    • Start with root and third.
  2. Alternative:

    • Start with root and seventh.

If you find C major to be a bit discordant, you could play C6 or both.

Summary

We will come across all these left-hand shapes in Love That Man. Just try to memorize these three-note configurations:

  • D Minor: 3-7 root or 3-7-9
  • G7: 7-3-5 or 7-3-6

About the instructor

Tim Richards
Tim Richards

Critically acclaimed jazz pianist and composer Tim Richards is one of Britain’s most experienced jazz educators, teaching piano privately for over 30 years, as well as at Morley College, Goldsmiths College, the University of Surrey, Premises Studios and other venues in the UK and abroad. He has produced numerous titles for Schott Music, including the best-selling two-volume Exploring Jazz Piano, Blues, Boogie & Gospel Collection and the acclaimed Improvising Blues Piano. He is also co-author, with John Crawford, of Exploring Latin Piano and Brazilian Piano Collection.More recently Schott have published Jazz, Latin & Modern Collection (15 pieces for solo piano), comprising Tim Richards originals alongside pieces by Duke Ellington and Thelonious Monk, and the two volume set Beginning Jazz Piano (now a two-part MusicGurus course).“The real joy of Tim’s music… is that it is both hugely educational but also such great fun to play. Anyone with the slightest interest in learning to play or teach jazz piano should really acquire a set of Tim’s books.” PianoDaoAs a performer Tim has been a presence on the UK jazz scene since the 1980s, also playing the blues with UK and US legends such as Otis Grand, Earl Green, Dana Gillespie, Larry Garner, Joe Louis Walker and Mojo Buford. He has released over a dozen albums as a leader (featuring many of London’s best jazz musicians including Pete King, Gilad Atzmon, Tony Kofi, Jason Yarde, Seb Rochford, Ed Jones, Dick Pearce and many others), and toured all over Europe with line-ups ranging from duo to nine-piece. His latest recording, the album ‘Telegraph Hill’ by the six-piece Hextet, was described in The Observer as "A true joy from beginning to end". More info can be found on his website www.timrichards.ndo.co.uk read more

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