The five types of seventh chords

With
Tim RichardsTim Richards introduces the five seventh chords at the heart of jazz harmony - major 7, dominant 7, minor 7, half-diminished and diminished - and a routine for learning them in every key.
What's in the course
25 lessons (1h 20m) · 1 freeLesson transcript
Jazz Harmony and Seventh Chords
Jazz harmony is primarily based on four-note seventh chords. Let's explore the different types of seventh chords that are commonly used.
Types of Seventh Chords
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C Major 7
- Based on the root, third, fifth, and seventh of the major scale.
- Symbol: Triangle or major 7 symbol.
-
C7 (Dominant Seventh)
- Features a flattened seventh.
-
C Minor 7
- Flatten the third.
- Sometimes written with a minor sign instead of a lowercase "m".
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C Minor 7 Flat 5
- This describes exactly what it is.
- Also known as a half-diminished chord, represented by a circle with a slash through it.
-
C Diminished Seventh
- Same as before, but with a flattened A diminished seventh (double-flattened seventh).
- Specifically, this is referred to as an A, which is the same note as the sixth in the C diminished seventh.
Practice Tips
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Get used to playing these chords in different keys.
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For instance, on F, you may want to practice with a metronome. Set it to 100 BPM and follow this pattern:
- F Major 7
- F7 (Dominant Seventh)
- F Minor 7
- F Half Diminished
- F Diminished
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Adjust the tempos until you feel comfortable. Ensure you can find the five chords and play them cleanly.
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Say the names out loud as you practice. Do this exercise in a different key every day, and you'll quickly learn all your chords, that's 12 times 5, totaling 60 different chords!
Arpeggio Exercise
It's also beneficial to play these chords as arpeggios in your right hand while keeping time with your left hand.
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Start with C Major 7 and play each arpeggio twice, just in case you don't get it right the first time!
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Play these arpeggios using swing quavers.
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Notice that you're playing the chord on the first beat of the bar.
This exercise is excellent for strengthening your fourth and fifth fingers, which tend to be weaker. By practicing in different keys, you'll gradually strengthen these fingers!
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Meet your guru

Meet your guru
Critically acclaimed jazz pianist and composer Tim Richards is one of Britain’s most experienced jazz educators, teaching piano privately for over 30 years, as well as at Morley College, Goldsmiths College, the University of Surrey, Premises Studios and other venues in the UK and abroad. He has produced numerous titles for Schott Music, including the best-selling two-volume Exploring Jazz Piano, Blues, Boogie & Gospel Collection and the acclaimed Improvising Blues Piano. He is also co-author, with John Crawford, of Exploring Latin Piano and Brazilian Piano Collection.
More recently Schott have published Jazz, Latin & Modern Collection (15 pieces for solo piano), comprising Tim Richards originals alongside pieces by Duke Ellington and Thelonious Monk, and the two volume set Beginning Jazz Piano (now a two-part MusicGurus course).
“The real joy of Tim’s music… is that it is both hugely educational but also such great fun to play. Anyone with the slightest interest in learning to play or teach jazz piano should really acquire a set of Tim’s books.” PianoDao
As a performer Tim has been a presence on the UK jazz scene since the 1980s, also playing the blues with UK and US legends such as Otis Grand, Earl Green, Dana Gillespie, Larry Garner, Joe Louis Walker and Mojo Buford. He has released over a dozen albums as a leader (featuring many of London’s best jazz musicians including Pete King, Gilad Atzmon, Tony Kofi, Jason Yarde, Seb Rochford, Ed Jones, Dick Pearce and many others), and toured all over Europe with line-ups ranging from duo to nine-piece. His latest recording, the album ‘Telegraph Hill’ by the six-piece Hextet, was described in The Observer as "A true joy from beginning to end".
More info can be found on his website www.timrichards.ndo.co.uk





































