Lesson 17 of 25PianoIntermediate

The Dorian mode

2:32

How to use the Dorian scale over a II-V chord pair

Part of the courseJazz Piano: Harmony & Improvisation25 lessons (1h 20m)

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25 lessons (1h 20m) · 1 free
    • 01. The Dorian mode

      You are here

      2:32

    • 02. Playing in 3-4

      4:15

    • 03. G Minor Waltz (performance)

      1:58

Lesson transcript

II V Chord Pairs in Music

In preparation for the next tune, we're going to look at some II V chord pairs. These are pairs of chords that don't resolve like a typical II V I. Instead, they go somewhere else.

Example: Satin Doll

For instance, there are many tunes where you have strings of II Vs without the I chord.

  • Example: Satin Doll
    • D minor → G7
    • Instead of going to C, it goes to E minor, A7.
    • And then, it doesn't resolve as you'd expect; it goes to A minor.

In the first eight bars of the tune, you have four different II V pairs, none of which are actually a II V I.

This is something you really need to get used to and be prepared for.

Understanding II V Pairs

It's worth noting that when you have a II V pair, because they are in the same key, you can use one scale over both chords.

  • The easiest scale to start with is the one that corresponds with the first chord: the Dorian scale.

For D minor 7 and G7:

  • You can play the white notes as it happens, looping the D minor scale:
    • Start on D and go up to D.
    • This will fit the G7 chord as well, you don't need to make any changes.

Practicing with Satin Doll

For Satin Doll, if you're using Dorian scales, you'd need four of them.

Example Tune in G Minor

We're going to do a tune in G minor, which will be in 3/4 time.

  • Tune: Wolf's
    • It starts out with G minor and C7.

To get used to that, we could try our G minor Dorian scale:

  1. 3/4 Loop:
    • One, two, three.
    • One, two, three.
    • One, two, three.
    • One, two, three.

This goes from G to E and back with the chords.

Additional Practice

  • The tune also goes to E minor and A7, in addition to G minor and C7.

You might want to practice that little routine over E minor as well.

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Tim Richards

Tim Richards

Critically acclaimed jazz pianist and composer Tim Richards is one of Britain’s most experienced jazz educators, teaching piano privately for over 30 years, as well as at Morley College, Goldsmiths College, the University of Surrey, Premises Studios and other venues in the UK and abroad. He has produced numerous titles for Schott Music, including the best-selling two-volume Exploring Jazz PianoBlues, Boogie & Gospel Collection and the acclaimed Improvising Blues Piano. He is also co-author, with John Crawford, of Exploring Latin Piano and Brazilian Piano Collection.

More recently Schott have published Jazz, Latin & Modern Collection (15 pieces for solo piano), comprising Tim Richards originals alongside pieces by Duke Ellington and Thelonious Monk, and the two volume set Beginning Jazz Piano (now a two-part MusicGurus course).

“The real joy of Tim’s music… is that it is both hugely educational but also such great fun to play. Anyone with the slightest interest in learning to play or teach jazz piano should really acquire a set of Tim’s books.” PianoDao

As a performer Tim has been a presence on the UK jazz scene since the 1980s, also playing the blues with UK and US legends such as Otis Grand, Earl Green, Dana Gillespie, Larry Garner, Joe Louis Walker and Mojo Buford. He has released over a dozen albums as a leader (featuring many of London’s best jazz musicians including Pete King, Gilad Atzmon, Tony Kofi, Jason Yarde, Seb Rochford, Ed Jones, Dick Pearce and many others), and toured all over Europe with line-ups ranging from duo to nine-piece. His latest recording, the album ‘Telegraph Hill’ by the six-piece Hextet, was described in The Observer as "A true joy from beginning to end".

More info can be found on his website www.timrichards.ndo.co.uk

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