Lesson 25 of 25PianoIntermediate

CHECKPOINT #1 - EAR TRAINING & LISTENING

2:34

Summary of ear training routines + suggested listening

Part of the courseJazz Piano: Harmony & Improvisation25 lessons (1h 20m)

This lesson is part of the full course. 1 lesson is free to watch.

from$13/month

Explore the course
Cancel anytime30-day refund
Tim RichardsYour guruTim Richards

What's in the course

25 lessons (1h 20m) · 1 free
    • 01. Three note shapes and shells

      3:39

    • 02. Love That Man (performance)

      4:08

    • 03. Love That Man - solo analysis

      3:57

    • 04. Vertical Improvisation

      6:37

    • 05. CHECKPOINT #1 - EAR TRAINING & LISTENING

      You are here

      2:34

Lesson transcript

Ear Training Review

In this checkpoint, I'd like to review some of the ear training options we've touched on.

Recap of Previous Lessons

  • Part One of the Course:

    • We looked at three sing and play routines:
      • Major Pentatonic
      • Minor Pentatonic
      • B3 Pentatonic
  • Current Lesson:

    • We've also completed Sing and Play number four, which features three modes:
      • Major
      • Mixolydian
      • Dorian

It's important to keep reviewing these concepts to maintain the connection between what you sing, what you hear, and what you play.

Important Exercises

We've also sung:

  • Dominant Seventh Arpeggios
  • Broken Chord Shapes
  • The Five Seventh Chords

Remember to sing the arpeggios of those as well. It's crucial to keep practicing these exercises; otherwise, you risk getting rusty.

Keeping It Fresh

One way to keep things fresh is to use the Cycle of Fifths.

  • Whatever you're doing, whether it's a scale, arpeggio, or a lick, try taking it around the cycle:
    • Up in Fourths
    • Up in Fifths

Both directions are beneficial.

Use a Pulse

Make sure to do everything with a pulse.

  • Use your Metronome: Play along with it.
  • No matter what you're practicing, even if it's just a scale, do it in time.

I cannot stress the importance of this enough; if you develop the habit of playing things out of time, it will be reflected in your performance. It is vital to try and get into the groove as often as possible.

Listening Recommendations

Lastly, don't forget to keep listening!

I have prepared a list of tunes that mainly relate to the lessons we covered:

  • Check the PDFs:
    • Ear Training PDF
    • Listening PDF

Suggested Listening

  • Original versions of:

    • Perdido
    • Lavaman
  • Remember we talked about Satin Doll, that's a great example of a tune with lots of two fives in it.

Three-Four Tunes

I've also compiled a long list of three-four tunes for you to explore:

  • Someday My Prince Will Come
  • Wolf's For Debbie (Bill Evans)
  • Footprints (Wayne Shorter)
  • My Favorite Things (John Coltrane)

These are all famous for being in 3/4 and are essential parts of the standards repertoire.

Happy practicing and listening!

$13/monthSubscription

25 lessons

1h 20m of structured video lessons

Advanced video features

Slow down, loop a passage, follow along

Mobile, tablet & desktop

Practise wherever you are

100% satisfaction guarantee

30-day money-back guarantee

Meet your guru

Tim Richards

Tim Richards

Critically acclaimed jazz pianist and composer Tim Richards is one of Britain’s most experienced jazz educators, teaching piano privately for over 30 years, as well as at Morley College, Goldsmiths College, the University of Surrey, Premises Studios and other venues in the UK and abroad. He has produced numerous titles for Schott Music, including the best-selling two-volume Exploring Jazz PianoBlues, Boogie & Gospel Collection and the acclaimed Improvising Blues Piano. He is also co-author, with John Crawford, of Exploring Latin Piano and Brazilian Piano Collection.

More recently Schott have published Jazz, Latin & Modern Collection (15 pieces for solo piano), comprising Tim Richards originals alongside pieces by Duke Ellington and Thelonious Monk, and the two volume set Beginning Jazz Piano (now a two-part MusicGurus course).

“The real joy of Tim’s music… is that it is both hugely educational but also such great fun to play. Anyone with the slightest interest in learning to play or teach jazz piano should really acquire a set of Tim’s books.” PianoDao

As a performer Tim has been a presence on the UK jazz scene since the 1980s, also playing the blues with UK and US legends such as Otis Grand, Earl Green, Dana Gillespie, Larry Garner, Joe Louis Walker and Mojo Buford. He has released over a dozen albums as a leader (featuring many of London’s best jazz musicians including Pete King, Gilad Atzmon, Tony Kofi, Jason Yarde, Seb Rochford, Ed Jones, Dick Pearce and many others), and toured all over Europe with line-ups ranging from duo to nine-piece. His latest recording, the album ‘Telegraph Hill’ by the six-piece Hextet, was described in The Observer as "A true joy from beginning to end".

More info can be found on his website www.timrichards.ndo.co.uk

Tim Richards
Pat Levett
Joe Glossop
Frank Doll
Katie Melua
Ed O'Brien
Imogen Heap
Adam Mishan
Chet Atkins

Learn from Tim Richards and hundreds of others

Unlimited access, money back guaranteed

$13/month

Subscription