Sing & Play
Lesson time: (3min 3sec)
Learn to sing Dorian and Mixolydian modes
Course preview
This lesson is part of the course Jazz Piano: Harmony & Improvisation
Watch a preview of the full course below.
Lesson transcript:
Review of the Three Modes
We're now going to review the three most commonly used modes:
- The Ordinary Major Scale
- The Mixolydian Scale
- The Dorian Scale
And we're not only going to play them; we're going to sing them.
Singing the B Flat Major Scale
Here's a B flat major scale. Try singing that:
Dooba dooba dooba doo bidoo doo wa.
Now, sing another phrase using the same notes but with a different contour, maybe starting on a different note.
Do be do badoo doo doo doo doo doo.
Just about. It doesn't really matter about your voice as long as you can hear some ideas.
Alternating Singing and Playing
Now we're going to do that several times, alternating between singing and playing. If you can do it in time with the backing track provided, which has a bass line you'll hear, and left-hand chords, you could be playing a left-hand chord:
Doobie doo doo doo doo doo doo doo doo.
Then, flatten the seventh so B flat seven in the left hand.
Do badoo badoo badoo.
There's your flattened seventh:
Do be doo doo.
Now, think up a phrase from that scale. Okay, but keep playing in the left hand and keep time.
Creating a Piece of Music
Try to make the whole thing like a piece of music where you alternate singing and playing, and you're trying to copy the phrases that you've sung.
Once you get the sound of the scale in your head, this makes it a lot easier.
Flattening the Third
Finally, we're going to flatten the third. This now fits the A minor seventh chord, B flat minor seven:
Do ba do.
Make sure you get the minor third:
Do badoo badoo badobi.
And the flattened seventh this time.
Okay?
You really need to hit that minor third and the flat seven confidently.
Recognizing the Scales
Learn to recognize the sound of those scales. Sing them! You can practice this sort of thing at the bus stop or when you're driving.
It doesn't have to be at the piano. Try it on a different note every day, for instance, as well.
Cycle of Practice
So do the three chords and the three scales. Sing and play them.
Maybe tomorrow, you might do it on F or go up in fourths. Do it on E flat.
Going around the cycle is the best way to learn all these scales and practice them in different keys.
About the instructor

Critically acclaimed jazz pianist and composer Tim Richards is one of Britain’s most experienced jazz educators, teaching piano privately for over 30 years, as well as at Morley College, Goldsmiths College, the University of Surrey, Premises Studios and other venues in the UK and abroad. He has produced numerous titles for Schott Music, including the best-selling two-volume Exploring Jazz Piano, Blues, Boogie & Gospel Collection and the acclaimed Improvising Blues Piano. He is also co-author, with John Crawford, of Exploring Latin Piano and Brazilian Piano Collection.More recently Schott have published Jazz, Latin & Modern Collection (15 pieces for solo piano), comprising Tim Richards originals alongside pieces by Duke Ellington and Thelonious Monk, and the two volume set Beginning Jazz Piano (now a two-part MusicGurus course).“The real joy of Tim’s music… is that it is both hugely educational but also such great fun to play. Anyone with the slightest interest in learning to play or teach jazz piano should really acquire a set of Tim’s books.” PianoDaoAs a performer Tim has been a presence on the UK jazz scene since the 1980s, also playing the blues with UK and US legends such as Otis Grand, Earl Green, Dana Gillespie, Larry Garner, Joe Louis Walker and Mojo Buford. He has released over a dozen albums as a leader (featuring many of London’s best jazz musicians including Pete King, Gilad Atzmon, Tony Kofi, Jason Yarde, Seb Rochford, Ed Jones, Dick Pearce and many others), and toured all over Europe with line-ups ranging from duo to nine-piece. His latest recording, the album ‘Telegraph Hill’ by the six-piece Hextet, was described in The Observer as "A true joy from beginning to end". More info can be found on his website www.timrichards.ndo.co.uk read more




