Key Layout I : enregistrement en temps réel
Lesson time: (11min 56sec)
Course preview
This lesson is part of the course Push the Envelope : deviens un pro d'Ableton Push
Watch a preview of the full course below.
Lesson transcript:
Drum and Key Layout Lesson
Okay, so now that you're familiar with the drum layout, we're gonna go and have a look at the key layout.
Navigating to MIDI Track
- We have another MIDI track that we can navigate to.
- It shows us that it doesn't contain an instrument yet.
Loading a Sound
- Press Browse.
- For now, I'm going to load a piano sound, maybe the electric.
Key Layout and Octaves
- By default, the key layout is always set to C major. This is the root note.
- The blue ones are all the root notes:
- C1, C2, C3, C4, C5.
- We can navigate octaves up and down with the octave down or octave up buttons.
- It indicates which octaves you can actually play.
Let's stick with this one. Now we can simply play.
Note Layout in C Major
- The note layout is set to C major:
- C, D, E, F, G, A, B, C.
- This is not really convenient for playing.
Playing with Both Hands
- Since everything is doubled, you can use three fingers.
- When I press a pad, others light up as well:
- Green means that it's the currently playing note.
- If you have it a couple of times, it indicates that they're all playing the same note.
We're currently in the in-key layout:
- The notes are doubled allowing you to play with both hands.
- White pads indicate notes that belong to the key set, but they're not the root note.
Chromatic Layout
- If you choose the chromatic layout, you'll see unlit pads indicating notes that belong to the key.
Pitch Bend
- The touch trip is not to change octaves, but it's mapped to the pitch bend.
Playing Simple Triads
I think I'm just going to show you how to play simple triads, the basic and most often used chords.
- The shape is the same for both major and minor triads in the in-key layout:
- It's a simple triangle shape.
- Count: 1, 2, 3, 4, 5.
- We have the first, the third, and the fifth.
Triads in C Major
- C Major: C, E, G
- Continuing with:
- D Minor: D, F, A
- E Minor: E, G, B
- F Major: F, A, C
- G Major: G, B, D
- A Minor: A, C, E
- Diminished: B, D, F
- C Major one octave up: C, E, G
Since we're in the in-key layout, we basically can't play anything wrong.
Adjusting Volume
- The easiest way would be to start with a chord that has the root note (C Major) and then play other chords.
- If the volume levels aren't that great:
- Press Volume and turn the volume of the beats down and the others up.
Recording Setup
A simple run. Maybe I'll just record that.
- I want to have my hands free and not care about pressing record again, so I'm going to use fixed length.
- If I keep it pressed, it's set to two bars by default.
- We can set the recording length to one of the other choices as well, commonly, I prefer four bars.
Recording
- Let's get to recording. Here I can quantize as well.
- Just press to see what I've set it to and take out this swing.
- Maybe better set quantize to 18 nodes.
Changing Instruments
Maybe I'd like to change the instrument as well:
- Press Browse to go to my own presets in the user library.
- Let's take this one and adjust the volume a bit down again.
Deleting Clips
One thing worth mentioning is that when you're in the node mode (this applies to both the node layout and the drum layout):
- Simply press Delete, and the currently selected clip is deleted, this is shown in the display.
- You can undo that if you'd like to keep it.
Using Delete:
- Hold Delete pressed while playing the nodes you want to delete; they turn red.
- The display says nodes deleted, for example, C2.
If I play that now, nope, got to launch the clip first. Now it's not playing.
Creating New Scenes
While everything's still playing, you can simply press New.
- This creates a new scene (Scene 10).
- Any other tracks where clips were playing are duplicated, and playback continues seamlessly.
Final Adjustments
- In the selected track in the new scene, the clip slot is chosen, allowing you to play and rehearse for a new take, similar to duplicate, but for the selected track.
This time, I'm going to disable fixed length to demonstrate the workflow:
- You can see I didn't manage to stop the recording in time.
- This is why fixed length can be really helpful, but we can quickly correct that:
- Press on Clip, and you can see the loop length set to nine bars.
- Change that to eight bars long, just the way we want it!
About the instructor

Madeleine Bloom est une musicienne de formation classique, productrice, multi-instrumentiste et chanteuse originaire de Berlin, et fondatrice du label Quixotica Records. Elle a étudié la musique électroacoustique au Conservatoire Franz Liszt auprès du Prof. Robin Minard et applique ces méthodes à son propre mélange de pop électronique. Sa musique a été saluée par les producteurs Guy Sigsworth et Rupert Hine, et lui a valu une invitation personnelle d'Imogen Heap, dont elle a assuré la première partie de la tournée.Ancienne conseillère du support technique d'Ableton, elle a fondé en 2012 la plateforme en ligne Sonic Bloom, où elle enseigne Ableton Live et la production musicale à travers des cours, des ateliers et des séances individuelles. Elle a accompagné des personnes du monde entier avec Ableton Live, Push et Max for Live, mais aussi en ingénierie du son, théorie musicale, composition et sound design. read more




