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Autres effets MIDI

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Dans cette leçon, découvrons d'autres effets MIDI tels que les effets Transposer, Modulator, Randomizer et Scripter dans Logic.

Extrait du coursLogic Pro : synthèse, synthés et effets MIDI20 leçons (1h 47min)

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20 leçons (1h 47min) · 1 gratuites
    • 01. Bienvenue dans la synthèse

      Leçon gratuite

      0:53

    • 02. Introduction à la synthèse, synthèse soustractive

      3:22

    • 03. Première étape : génération du son

      4:09

    • 04. Deuxième étape - Façonnage du son et filtres

      1:35

    • 05. Façonner le volume - ADSR

      3:27

    • 06. LFO

      1:54

    • 07. Alchemy

      4:11

    • 08. Retro synth

      4:55

    • 09. Synthés ES1 et ES2

      4:00

    • 10. Synthétiseur ESP

      1:17

    • 11. ESM, ESE, EFM1

      8:54

    • 12. Sculpture, EVOC20 et vocoding

      7:53

    • 13. Drum Synth et Ultrabeat

      7:11

    • 14. Drum Kit and Drum Machine Designer

      7:23

    • 15. Synthés de clavier : orgue vintage, EP, Clav, Mellotron

      9:03

    • 16. Studio Horns et Studio Strings

      4:48

    • 17. Effets MIDI - Arpégiateur

      21:21

    • 18. Effets MIDI - Chord Trigger

      5:45

    • 19. Autres effets MIDI

      Tu es ici

      4:33

Transcription de la leçon

MIDI Effects Overview

So, looking at some of the other MIDI effects, and maybe when you get more into the world of MIDI, these will become handy.

Modifier

The modifier can change any signal into any other signal. You can:

  • Change your input event
  • Reassign that to the modulation wheel or anything else that you might want to reassign it to
  • Change things like scale and add value to those as well

Modulator

The modulator allows you to assign an LFO or an envelope to any continuous controller message within MIDI, which can produce really quite weird and wonderful effects from time to time.

  • As you can hear without this on, I have a very simple bell which just kind of plays. Let's play a little bit higher.
  • But with it on and with the LFO working, you can hear I'm getting a much more interesting sound.

Note Repeater

Note repeater is kind of like note repeat, which we looked at earlier, but it has a bit more functionality. For example:

  • I can repeat this note three times, which I did there.
  • I can repeat it 28 times, but let's just go for like eight repeats.

Now, let's go for transposing. What this does is:

  • It repeats eight times and transposes by one semitone every time.
  • You can also ramp the velocity. This means if you take a look at what's going on here, you can make this kind of feel actually more like an echo, as the velocity goes down every time.

Remember, I'm still only pressing one note here. It's a very interesting plugin to play around with.

Randomizer

Randomizer takes any event type, like velocity, and randomizes it completely.

  • For this demonstration, I'm not going to work with velocity, but with note number (essentially what note you're playing).

So, I'm going to play this note and just carry on playing it. What will happen is:

  • It's just going to change and randomize the note that's being played.
  • You can assign that to any MIDI value.

If it were velocity, I would play the same note now, and it would play the same note all the time, but at different volumes. This is a bit harder to control and hear, but you get the idea.

Transposer

With the transposer, you get the ability to immediately transpose everything that you're playing.

  • For example, let's say I'm playing in the key of F major and I wonder what that would sound like if I played it two semitones up. Instead of actually playing it up, I can just use that and transpose.

This is really wonderful if you've decided to change keys but don't have the time or energy to relearn it in the new key.

Remember, because, as with all MIDI effects, this information is coming in, when it spits it out, and when you record it, it will be recorded in the key here, essentially the transposition that you are playing in. So, it's not just a simple key change; you continue to play in F, but it's going to be outputted in G.

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