Convertir l'harmonie en MIDI

Madeleine Bloom
Madeleine Bloom

Lesson time: (5min 13sec)

Madeleine Bloom montre comment utiliser Harmony to MIDI d'Ableton Live 9 pour transformer un enregistrement polyphonique - ici une partie de ukulélé - en MIDI que tu peux rejouer comme un pad ou n'importe quel son.

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This lesson is part of the course Sonic Bloom présente : Ableton Live 9 Essentials
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Lesson transcript:

Tutorial Number Two: Audio to MIDI in Live 9

Welcome to tutorial number two in my series on my favorite Live 9 feature: Audio to MIDI. In the last tutorial, I demonstrated how to create beats using the Drum to MIDI function.

Result from Previous Tutorial

  • Original Audio: Quite different from the result you can create.

Today's Focus: Harmony to MIDI

In this video, I want to show you how to use the Harmony to MIDI function creatively. We'll create a pad sound.

Step 1: Choose Your Audio File

  • I've already chosen an audio file to save time.
  • This is me playing the ukulele.
  • Starting Point: I'm moving the start point to bar five, as that's where it begins.
  • Duration: Four bars should be enough.

Step 2: Quick Playback

Let's quickly hear it.

  • Change in Sound: A bit better and more complex.

Step 3: Convert Harmony to MIDI Track

To ensure the Harmony to MIDI function works well:

  • Use only chords, no beats or vocals.
  • If you can play an instrument, even if just a little, you can record that, perhaps warp it beforehand, and then quantize it.

Step 4: Default Sound and First Adjustments

By default, a grand piano sound is loaded, which you can change.

  • Let's listen to the default sound:
    • Turn Off Other Sounds: Not really too exciting yet.

Step 5: Quantizing

The first thing I'm going to do is quantize it.

Choosing a New Instrument

Now we need to choose a different sound since grand piano doesn't fit well here.

  • Suggested Sound:
    • Simpler pads work well for this.
    • Let's take the first pad sound.

Step 6: Playback Adjustments

Let's play it:

  • Volume Adjustment: It's quite loud, so let's turn it down by 6 dB.
  • Feedback: Sounds pretty good like that!

Step 7: Create Variations

To illustrate quick variations:

  • Duplicate the Track: Make it an octave higher.
  • Further Duplication: Let's duplicate the track again.

Step 8: Finalizing the Pad Sound

Now you already have a nice pad sound. You can thin it out if you like.

  • Example of thinning it out: Remove some sounds to achieve the desired effect.

Coming Up Next

In the next tutorial, I'll show you how to use Melody to MIDI to get a starting point for a bass track.

Closing

See you next time! Bye!

About the instructor

Madeleine Bloom
Madeleine Bloom

Madeleine Bloom est une musicienne de formation classique, productrice, multi-instrumentiste et chanteuse originaire de Berlin, et fondatrice du label Quixotica Records. Elle a étudié la musique électroacoustique au Conservatoire Franz Liszt auprès du Prof. Robin Minard et applique ces méthodes à son propre mélange de pop électronique. Sa musique a été saluée par les producteurs Guy Sigsworth et Rupert Hine, et lui a valu une invitation personnelle d'Imogen Heap, dont elle a assuré la première partie de la tournée.Ancienne conseillère du support technique d'Ableton, elle a fondé en 2012 la plateforme en ligne Sonic Bloom, où elle enseigne Ableton Live et la production musicale à travers des cours, des ateliers et des séances individuelles. Elle a accompagné des personnes du monde entier avec Ableton Live, Push et Max for Live, mais aussi en ingénierie du son, théorie musicale, composition et sound design. read more

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