Leçon 48 sur 50GuitareBeginner

Under The Radar

5:26
Joue « Under The Radar », un morceau de groupe d'inspiration indie qui mêle des accords ouverts majeurs et mineurs (G, C, Mi mineur) à des mélodies à une seule note. Concentre-toi sur des transitions d'accords fluides, la précision rythmique et une sonorité claire des cordes à vide.
Extrait du coursMéthode de Guitare : Indie et Hip-Hop50 leçons (1h 52min)

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Tommy WebbVotre guruTommy Webb

Le contenu du cours

50 leçons (1h 52min) · 1 gratuites
    • 01. Overload

      6:11

    • 02. Overload (interprétation)

      0:50

    • 03. Slam

      4:45

    • 04. Slam (interprétation)

      0:52

    • 05. Under The Radar

      Tu es ici

      5:26

    • 06. Under The Radar (interprétation)

      0:51

Transcription de la leçon

Final Piece of the Course: "Under the Radar"

Congratulations! We've made it to the final piece of the course. We've learned eight songs so far in six different styles, and this is our final one in the indie style. It's called "Under the Radar."

This song will mix open chords, including both major and minor, as well as single note playing. We will take everything we've learned from our stylistic studies and previous pieces and put it all into this one.

Melody Overview

Line 1

In line one, we have our melody.

  • Bar 1: Four quarter notes.

    • Starting on the open B string and descending down to the G, where we have the second fret, open, and second fret again (G, A).
  • Bar 2: Half notes.

    • Open B string going to A (second fret on the G).

Let's work on those first two bars together:

Counting:
1, 2, 3, 4.
1, 2, 3, 4.
1, 2, 3, 4.

  • Bar 3: A mix of two quarter notes and one half note.
    • Open G going to the second fret on the G string (A), finishing on the G string.
    • The last note of this line is an E, played on the second fret of the D string as a dotted half note (which is two beats plus half of two, giving us a three-beat note).

Counting:
1, 2, 3.
Finishing off with a quarter note rest on beat four.

Here's the first line for us to try and go through together:

Counting:
1, 2, 3, 4, 2, 3, 4.
1, 2, 3, 4.
1, 2, 3, 4.
1, 2, 3, 4.

Chord Sections

Lines 2 and 3

These lines are really exciting! We're using those open chords we've learned previously: C, G, and E minor.

As always, it's important to play these with one finger per fret.

  • C on the first fret using your first finger.
  • E minor on the second fret using your middle or second finger.
  • G on the third fret using your third finger.

Line 2

  • We start with a G major chord played for a whole note (four beats):

Counting:
1, 2, 3, 4.

  • After this, we have a quick move to C:

    • Good idea to have our first finger hovering around the first fret on the B string, ready to push down when we change bars.
  • Here are the notes:

    • Bar 2: A half note followed by two quarter notes.

Counting:
1, 2, 3, 4.

  • Bar 3: Holding C as a whole note (four beats).

Counting:
1, 2, 3, 4.

  • Returning to G with our third finger on the high E string (also a whole note).

Here's Line 2 to try and play along with me:

Counting:
1, 2, 3, 4.
G, 2, 3, 4.
C, 2, 3, 4.
C, 2, 3, 4.
G, 2, 3, 4.

Line 3

Going down to line three, we see our E minor:

  • Played by pressing the second fret on the D string and strumming down all the way through the G, B, and E strings.
    • This is played as two quarter notes followed by a half note rest.

Counting:
1, 2, 3, 4.

  • The rest gives us time to get to the next position, which is C with the same rhythm.

Counting:
1, 2, 3, 4.

  • Returning to E minor with the same rhythm:

Counting:
1, 2, 3, 4.

  • Finishing on G as a whole note (four beats).

Counting:
1, 2, 3, 4.

Let's try to play through Line 3 together:

Counting:
1, 2, 3, 4.
1, 2, 3, 4.
1, 2, 3, 4.
1, 2, 3, 4.
1, 2, 3, FOUR.

Remember: At the end with that G, you want to keep pressing the note into the fretboard, ensuring it rings out for the full duration of those four beats.

Line 4

Line four contains one note difference from line two, specifically in bar three, where we're playing an open D string leading us into the E in bar four.

Let's try that fourth line together. Don't forget to watch out for that extra note in bar three.

Counting:
1, 2, 3, 4.

Conclusion

And that brings us to the end of learning for this course.

  • We've learned nine songs in six different styles,
  • along with basics like how to hold the guitar, how to hold a pick, how to read music, and how to play notes.

We've progressed from complete beginner to being able to rock out to nine really cool songs and play along with their backing tracks.

Well done! I'll see you in the backing track to finish off this final song.

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Tommy Webb

Tommy Webb

Tommy Webb est un guitariste basé à Londres, titulaire d'une licence avec mention (BA Hons) en guitare de l'Academy of Contemporary Music de Guildford, où il a étudié auprès de Sandy Beales (One Direction, Wheatus) et Nicolas Meier (Jeff Beck). Son propre jeu circule librement entre rock, pop, indie, hip-hop, country et metal - précisément le terrain que couvrent ses méthodes de guitare.

Tommy a travaillé avec un large éventail d'artistes et de groupes à travers le pays, dont Jarki Monno et Indira May, partageant scènes et sessions avec les guitaristes Paul Murray (Jess Glynne, Zak Abel) et Adam Chetwood (Paolo Nutini, Mark Ronson), ainsi que les batteurs Alex Woodward (Black Honey), Luke Robinson et “Bambi Music” (N-Dubz, Lethal Bizzle, Wretch 32, Tinie Tempah).

Sur scène, il s'est produit au Jazz Cafe en première partie de la chanteuse soul Jocelyn Brown, ainsi que dans des salles et festivals comme Ronnie Scott's, Troy Bar, The Watford Colosseum, Camden Assembly, Kensington Roof Gardens, Notting Hill Arts Club, Meraki Festival et Sundown Festival.

Sur disque et à la radio, Tommy a enregistré des sessions live pour BBC Three Counties Introducing, Vibe FM et Pulse 88, avec des morceaux diffusés sur BBC Radio 1 et Radio 2. Il a enregistré dans des studios comme South Lanes Brighton, Hempstead Road et Titan Studios, auprès de producteurs tels que Steph Carter (Gallows, Lyoness) et TMS / Froe Barnes (Lewis Capaldi, Dua Lipa).

Dans ses méthodes de guitare, Tommy vous transmet tout ce savoir-faire de musicien en activité - en enseignant les techniques, les sonorités et le feeling qui se cachent derrière des styles bien réels, du rock et de la pop à l'indie, au hip-hop, au country et au metal - pour que vous puissiez jouer la musique que vous aimez vraiment.

Tommy Webb
Pat Levett
Joe Glossop
Frank Doll
Katie Melua
Ed O'Brien
Imogen Heap
Adam Mishan
Chet Atkins

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