Mélodie avec les notes si et do
Lesson time: (3min 45sec)
Tommy Webb enseigne les notes si et do sur la corde de si et introduit le picking alterné pour des mélodies indie plus fluides et plus rapides.
Course preview
This lesson is part of the course Méthode de Guitare : Indie et Hip-Hop
Watch a preview of the full course below.
Lesson transcript:
Indie Style Music Lesson
At this point in the course, we're really comfortable with reading notation and tab. We're looking for those new notes we've not played yet, starting with this line.
New Notes
- First Fret on the B String: This gives us the octave of C as well as the open B string.
- We've played this before when we learned the names of the strings:
- Eddie Ate Donuts
- Good Boy Eddies
The fifth string, or the second from the floor, is our B string.
We can test the C octave by playing:
- First Fret on the B String (C)
- Third Fret on the A String (C)
These are the two Cs we now know. You can hear they are the same note, just in different ranges.
Half Notes
Starting off, we have our half notes to play.
- First fret with our first finger on the B string: This gives us C
- Followed by open B.
Counting:
- 1, 2, 3, 4.
Alternate Picking
Moving on, we're picking up some speed.
What we're going to try and do is use alternate picking to play this:
- First fret on the B string to open B (C to B).
- Then, second fret on the G string to open G.
Since the notes are moving quickly, we will use alternate picking.
Technique
- Alternate picking involves going down and up with the pick.
- Key: Small movements.
- You don't want the pick to come too far away from the guitar.
To practice, take just the open high E string and play:
- Down and up, up, down, up, down, up.
Pause here and try that for a few minutes, getting comfortable with that motion of down and up.
Wrist Movement
It's all about the wrist. We're not trying to move our thumb or our whole arm; it's all in the wrist. Alternate picking allows us to play twice the speed we normally would, letting us play a lot faster phrases.
When using alternate picking, we need to rest our arm somewhere so we're not floating and being inaccurate.
You can use:
- Pinky and ring finger to rest on the pick guard if needed.
- Or, as we did with our power chords before, rest our hand behind the saddles on the bridge.
You can even combine both to achieve a really solid movement.
Bar Three
Moving on to bar three, we're back to the concept we looked at‚ pop.
- Quarter Note On, Quarter Note Off:
- Second fret on the G string (A)
- Quarter note rest
- Open B string
- Quarter note rest
- Dotted half note on C (first fret of the B string, our new note), lasting for three beats.
I'll take you through that section with particular focus on bar two, where we're using alternate picking:
- Down on one
- Up on the open B
- Down on the second fret on the G
- Up on the G
Practice
Here we go, nice and slow:
1, 2, 3, 4.
2, 3, 4.
1, 2, 3, 4.
1, 2, 3, 4.
1, 2, 3, 4.
There's a lot of detail in that one line with alternate picking, the rests, and our new notes and fingerings.
Take some time to get comfortable with this, build up slowly, and I'll see you with the backing track in a second!
About the instructor

Tommy Webb est un guitariste basé à Londres, titulaire d'une licence avec mention (BA Hons) en guitare de l'Academy of Contemporary Music de Guildford, où il a étudié auprès de Sandy Beales (One Direction, Wheatus) et Nicolas Meier (Jeff Beck). Son propre jeu circule librement entre rock, pop, indie, hip-hop, country et metal - précisément le terrain que couvrent ses méthodes de guitare. Tommy a travaillé avec un large éventail d'artistes et de groupes à travers le pays, dont Jarki Monno et Indira May, partageant scènes et sessions avec les guitaristes Paul Murray (Jess Glynne, Zak Abel) et Adam Chetwood (Paolo Nutini, Mark Ronson), ainsi que les batteurs Alex Woodward (Black Honey), Luke Robinson et “Bambi Music” (N-Dubz, Lethal Bizzle, Wretch 32, Tinie Tempah). Sur scène, il s'est produit au Jazz Cafe en première partie de la chanteuse soul Jocelyn Brown, ainsi que dans des salles et festivals comme Ronnie Scott's, Troy Bar, The Watford Colosseum, Camden Assembly, Kensington Roof Gardens, Notting Hill Arts Club, Meraki Festival et Sundown Festival. Sur disque et à la radio, Tommy a enregistré des sessions live pour BBC Three Counties Introducing, Vibe FM et Pulse 88, avec des morceaux diffusés sur BBC Radio 1 et Radio 2. Il a enregistré dans des studios comme South Lanes Brighton, Hempstead Road et Titan Studios, auprès de producteurs tels que Steph Carter (Gallows, Lyoness) et TMS / Froe Barnes (Lewis Capaldi, Dua Lipa). Dans ses méthodes de guitare, Tommy vous transmet tout ce savoir-faire de musicien en activité - en enseignant les techniques, les sonorités et le feeling qui se cachent derrière des styles bien réels, du rock et de la pop à l'indie, au hip-hop, au country et au metal - pour que vous puissiez jouer la musique que vous aimez vraiment. read more




