Mélodie en aller-retour

Tommy Webb
Tommy Webb

Lesson time: (2min 36sec)

Pousse plus loin tes compétences en aller-retour avec cet exercice. Maîtrise le coup de médiator bas-haut et le mouvement fluide du poignet pour des riffs indie nets et rapides.

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This lesson is part of the course Méthode de Guitare : Indie et Hip-Hop
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Lesson transcript:

Alternate Picking Test

Example two, we have a test with our alternate picking. As we mentioned before, we've got the down, up, down, up motion.

Notation Symbols

Here you can see on the notation we have symbols to tell us which way to pluck:

  • The table-looking symbol indicates to pluck down.
  • The arrow going up indicates to pluck up.

It's a little bit confusing, so I remember this as opposites pretty much:

  • The table going down,
  • The arrow going up.

Practice Advice

As we mentioned before, you should pause the video and try and work on that alternate picking motion. Start by going through all the strings.

  • Take it really, really slowly.
  • It's all about building good habits and good techniques.
  • The speed will come, but for now, we want to get that motion really smooth.

Make sure that all the motion is coming from our wrist; we don't want it in our fingers or arm‚ all in the wrist.

Breakdown of the Phrase

Looking at this phrase, we're playing quarter notes in the first three bars and finishing off with a whole note.

  • This means the first three bars are all alternate picked.
  • You can see the pattern: down, up, down, up, down, up, down, up.

Picking Rules

Another rule in this course and in this book is that if we're alternate picking, beat one should always be plucked down, which means:

  • Beat two should always be plucked up.

Notes and String Movement

We're going from C (the new note we have) to the open B string.

  • We have three Cs and one open B.
  • That translates to: down, up, down, up.

So that second up is going to be the B.

1, 2, 3, 4.

In bar two, we go to the G string where we have A twice and G twice. We have the same movement but up a string in bar three.

  • Looking at the second fret on the D string to the open D, finishing on that second fret as a whole note.
  • 2, 3, 4.

Slow Practice

So we'll go through that really slowly, ensuring we're playing down, up, down, up.

So here we go:

  • First fret on the B string.
  • 1, 2, 3, 4.
  • 3, 4.

Try that out for a second. Slow it right down and build up gradually.

In a second, I'll see you in the backing track to try and keep up with the music.

About the instructor

Tommy Webb
Tommy Webb

Tommy Webb est un guitariste basé à Londres, titulaire d'une licence avec mention (BA Hons) en guitare de l'Academy of Contemporary Music de Guildford, où il a étudié auprès de Sandy Beales (One Direction, Wheatus) et Nicolas Meier (Jeff Beck). Son propre jeu circule librement entre rock, pop, indie, hip-hop, country et metal - précisément le terrain que couvrent ses méthodes de guitare. Tommy a travaillé avec un large éventail d'artistes et de groupes à travers le pays, dont Jarki Monno et Indira May, partageant scènes et sessions avec les guitaristes Paul Murray (Jess Glynne, Zak Abel) et Adam Chetwood (Paolo Nutini, Mark Ronson), ainsi que les batteurs Alex Woodward (Black Honey), Luke Robinson et “Bambi Music” (N-Dubz, Lethal Bizzle, Wretch 32, Tinie Tempah). Sur scène, il s'est produit au Jazz Cafe en première partie de la chanteuse soul Jocelyn Brown, ainsi que dans des salles et festivals comme Ronnie Scott's, Troy Bar, The Watford Colosseum, Camden Assembly, Kensington Roof Gardens, Notting Hill Arts Club, Meraki Festival et Sundown Festival. Sur disque et à la radio, Tommy a enregistré des sessions live pour BBC Three Counties Introducing, Vibe FM et Pulse 88, avec des morceaux diffusés sur BBC Radio 1 et Radio 2. Il a enregistré dans des studios comme South Lanes Brighton, Hempstead Road et Titan Studios, auprès de producteurs tels que Steph Carter (Gallows, Lyoness) et TMS / Froe Barnes (Lewis Capaldi, Dua Lipa). Dans ses méthodes de guitare, Tommy vous transmet tout ce savoir-faire de musicien en activité - en enseignant les techniques, les sonorités et le feeling qui se cachent derrière des styles bien réels, du rock et de la pop à l'indie, au hip-hop, au country et au metal - pour que vous puissiez jouer la musique que vous aimez vraiment. read more

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