Rock City
Lesson time: (5min 51sec)
Apprends à jouer 'Rock City', une pièce de rock bâtie sur des power chords en E5, A5 et D5. Tommy Webb explique comment obtenir un son overdrive et développer l'endurance pour jouer proprement sur les quatre lignes.
Course preview
This lesson is part of the course Méthode de Guitare : Indie et Hip-Hop
Watch a preview of the full course below.
Lesson transcript:
Rock City Guitar Lesson
The first piece we're going to look at is a rock song called Rock City. Here, you can see I'm using my Les Paul.
Getting the Right Sound
- Guitar Setup:
- Turn the distortion channel on or increase the gain to achieve that heavy overdriven sound.
- Use the bridge pickup (all the way down) to get that treble, cutting through the distortion for clarity.
Playing Technique
Power Chords
- We'll be playing power chords with our first finger on the first fret.
- Using the one finger per fret method, we'll move up one fret each:
- Finger 1: Fret 2 (middle finger)
- Finger 2: Fret 3
- And so on...
Sheet Music Overview
- The sheet music has four lines, which is much longer than previous examples.
- This is why building good technique is essential; it helps improve our stamina for longer playing sessions.
Key Signature
- There is one sharp in our key signature, indicating that every F is an F sharp.
Rhythm Breakdown
- The rhythms are quite simple:
- Start with quarter notes, followed by a bar of half notes, then another bar of quarter notes, finishing on half notes.
- Notes to use:
- D String: 2nd fret (E) to open D.
- A String: 2nd fret (B) to open A.
Bar Analysis
- Bar 1: Notes played as discussed.
- Bar 2: Play G with the middle finger on the big E string, then the open E (half notes).
- Bars 3 and 4: Build up using open E to G, then A to B, finishing with two open E's (two beats each).
Lines Comparison
- Line 1: Same notes and rhythms; starting with the second fret on the D string.
- Line 2:
- Bars 1 and 2 have identical rhythms to Line 1.
- In Bar 3, there's the first rest on beat three:
- Rest, 2, Rest, Rest.
Power Chords in Action
Line 3
- Use our first finger to play power chords:
- A5 chord: Lasts for a whole note (4 beats).
- Move down to the D power chord‚ same shape, just lower (open D and 2nd fret on G).
- Use rolled finger technique; this helps transition between chords.
Transitioning Back Up
- After the D chord, return to A, holding for two beats (half notes).
- Finish on the E5 chord (open E string, rolling up to A string, 2nd fret).
Line 4: Final Comparison
- Compare Line 4 to Line 1. There's only one difference:
- In Bar 4, hold that E for a whole note instead of two half notes.
Practice Recommendations
- Work on this song one bar at a time, then one line at a time, eventually putting all four lines together.
- It's important to take it slowly and build good habits rather than rush through.
Listen and Play
- I'm going to play it now along with the backing track.
- After that, you can give it a go on your own.
- Remember, you can slow down and loop bars with your interactive music tools.
Happy practicing!
About the instructor

Tommy Webb est un guitariste basé à Londres, titulaire d'une licence avec mention (BA Hons) en guitare de l'Academy of Contemporary Music de Guildford, où il a étudié auprès de Sandy Beales (One Direction, Wheatus) et Nicolas Meier (Jeff Beck). Son propre jeu circule librement entre rock, pop, indie, hip-hop, country et metal - précisément le terrain que couvrent ses méthodes de guitare. Tommy a travaillé avec un large éventail d'artistes et de groupes à travers le pays, dont Jarki Monno et Indira May, partageant scènes et sessions avec les guitaristes Paul Murray (Jess Glynne, Zak Abel) et Adam Chetwood (Paolo Nutini, Mark Ronson), ainsi que les batteurs Alex Woodward (Black Honey), Luke Robinson et “Bambi Music” (N-Dubz, Lethal Bizzle, Wretch 32, Tinie Tempah). Sur scène, il s'est produit au Jazz Cafe en première partie de la chanteuse soul Jocelyn Brown, ainsi que dans des salles et festivals comme Ronnie Scott's, Troy Bar, The Watford Colosseum, Camden Assembly, Kensington Roof Gardens, Notting Hill Arts Club, Meraki Festival et Sundown Festival. Sur disque et à la radio, Tommy a enregistré des sessions live pour BBC Three Counties Introducing, Vibe FM et Pulse 88, avec des morceaux diffusés sur BBC Radio 1 et Radio 2. Il a enregistré dans des studios comme South Lanes Brighton, Hempstead Road et Titan Studios, auprès de producteurs tels que Steph Carter (Gallows, Lyoness) et TMS / Froe Barnes (Lewis Capaldi, Dua Lipa). Dans ses méthodes de guitare, Tommy vous transmet tout ce savoir-faire de musicien en activité - en enseignant les techniques, les sonorités et le feeling qui se cachent derrière des styles bien réels, du rock et de la pop à l'indie, au hip-hop, au country et au metal - pour que vous puissiez jouer la musique que vous aimez vraiment. read more




