Mélodie avec alternate picking et la note D
Lesson time: (2min 47sec)
Tommy Webb enseigne la note D sur la corde de B et l'utilise pour travailler l'alternate picking, développant la coordination entre les deux mains.
Course preview
This lesson is part of the course Méthode de Guitare : Indie et Hip-Hop
Watch a preview of the full course below.
Lesson transcript:
Example Three: D Note on the B String
In example three, we're using a D note on the B string. This is the octave up from our open D string. As always, you can play these two together to hear the differences in range, but not in pitch.
Alternate Picking
This is another example that is testing our alternate picking.
The First Bar
The first bar is quite tricky. We need to build our coordination.
- Practice Transitioning: Before we start this phrase, I'd like you to work on going from D (the third fret on the B string) to C (the first fret), using alternate picking.
What I mean by that is:
- D
- C
- D
- C
- D
- C
Tip: Leave your first finger pushed down the whole time. This gives you the smoothest sound. Rather than lifting your first finger, it's much easier to keep it pushed down.
This technique also helps when you come to hammer-ons and pull-offs eventually, as this is essential for playing these correctly.
Building Coordination
So, we're leaving our first finger down. Take some time to welcome going between those two notes and connect your fingers up, building your coordination.
Example Breakdown
Taking a look at example three, we've got:
- The third fret on the B string, which is D, our new note.
- To C.
We're going to play D, C, D, D, all with alternate picking:
- Down, up, down, up.
In the second bar, we just have C, so we're only focusing on our picking:
- Down, up, down.
You can see the third note is a half note lasting for two beats, which means we don't need to play the up.
Starting with a Down Pluck
You can also see in bar three, it's telling us to start with a down pluck. We went over this earlier, saying that at the start of every bar, beat one should be plucked down.
So, we might need to work on this for a second, getting used to switching between alternate and down plucking.
- Bar three is the same as bar one, and the final bar is finishing on a whole note on D.
Practice Slowly
So let's take that really, really slowly, working through that together.
- Count: 1, 2, 3, 4, down pluck.
Playing with the Backing Track
Now, we're going to try and play along with the backing track. It's a little bit faster, so build up to it gradually before you give it a go.
About the instructor

Tommy Webb est un guitariste basé à Londres, titulaire d'une licence avec mention (BA Hons) en guitare de l'Academy of Contemporary Music de Guildford, où il a étudié auprès de Sandy Beales (One Direction, Wheatus) et Nicolas Meier (Jeff Beck). Son propre jeu circule librement entre rock, pop, indie, hip-hop, country et metal - précisément le terrain que couvrent ses méthodes de guitare. Tommy a travaillé avec un large éventail d'artistes et de groupes à travers le pays, dont Jarki Monno et Indira May, partageant scènes et sessions avec les guitaristes Paul Murray (Jess Glynne, Zak Abel) et Adam Chetwood (Paolo Nutini, Mark Ronson), ainsi que les batteurs Alex Woodward (Black Honey), Luke Robinson et “Bambi Music” (N-Dubz, Lethal Bizzle, Wretch 32, Tinie Tempah). Sur scène, il s'est produit au Jazz Cafe en première partie de la chanteuse soul Jocelyn Brown, ainsi que dans des salles et festivals comme Ronnie Scott's, Troy Bar, The Watford Colosseum, Camden Assembly, Kensington Roof Gardens, Notting Hill Arts Club, Meraki Festival et Sundown Festival. Sur disque et à la radio, Tommy a enregistré des sessions live pour BBC Three Counties Introducing, Vibe FM et Pulse 88, avec des morceaux diffusés sur BBC Radio 1 et Radio 2. Il a enregistré dans des studios comme South Lanes Brighton, Hempstead Road et Titan Studios, auprès de producteurs tels que Steph Carter (Gallows, Lyoness) et TMS / Froe Barnes (Lewis Capaldi, Dua Lipa). Dans ses méthodes de guitare, Tommy vous transmet tout ce savoir-faire de musicien en activité - en enseignant les techniques, les sonorités et le feeling qui se cachent derrière des styles bien réels, du rock et de la pop à l'indie, au hip-hop, au country et au metal - pour que vous puissiez jouer la musique que vous aimez vraiment. read more




