Motifs de pentatonique mineure
Lesson time: (3min 51sec)
Ollie Weston montre comment utiliser des motifs de pentatonique mineure sur des accords de septième mineure, en s'appuyant sur le lien entre une gamme majeure et sa relative mineure.
Course preview
This lesson is part of the course Exploring Jazz Saxophone : Partie 1 - Pour commencer
Watch a preview of the full course below.
Lesson transcript:
Expanding Your Vocabulary with Minor Seventh Chords
Another way to expand your vocabulary over minor seventh chords is to use a minor pentatonic scale.
Review of Major Pentatonic Scale
We've used major pentatonics in an earlier lesson and we had a pitch map, didn't we?
- 1, 2, 3, 5, and 6.
This was a really useful way to create these pentatonic melodies.
Transitioning to Minor Pentatonic Scale
The good news is that if you've learned your major pentatonic, you've also learned a minor pentatonic.
- In this case, G major shares a key signature with E minor.
If I play my G major pentatonic over a G major chord, it sounds like this:
Instead of starting on G on the 1, I'm actually going to start on 6 on E. The piano will play in the bass on E and it will sound like this:
- I've changed the context of the notes.
- I've transitioned from being in A major key to the relative minor key.
Changing Tonality
The relationship between G and E instantly changes the tonality of my music. I'm playing the same five notes of the pentatonic, but in a completely different sound world.
If I do that again, I think you'll agree it doesn't sound like G major.
Here it is again with the piano.
Understanding the Pentatonic Scale
If you look at Figure 3.7, I've written out the five notes of the pentatonic.
- On the top, I've numbered them as they would be in G major: 1, 2, 3, 5, 6.
- Along the bottom, they're numbered as they would appear in E minor:
- 6 (E being 1)
- G being flat 3
- A being 4
- B being 5
- D being 7, and back to E.
This is a different construction of the scale, but those patterns that you learned will work really well over an E minor chord.
Practicing Pentatonic Patterns
Here are some of those patterns over the piano.
Again, using your minor workout backing tracks, you can practice your pentatonic patterns.
- All the phrases that you learn in a major key are very easy to transfer to the minor.
Tips for Practice
- You've got your groups of four.
- You've got some rhythmic ideas.
All these will really help you capture the sound of the minor seventh chord and how to solo effectively over it in jazz.
About the instructor

Depuis l'obtention de son diplôme au Leeds College of Music (BA Hons) et à la Guildhall School of Music (Post Graduate Diploma in Performance), Ollie a bâti une carrière riche et variée dans la musique. En tant que saxophoniste, il s'est produit en concert et en studio avec des artistes aussi divers qu'Amy Winehouse, Tim Minchin, Bonobo, Frank Turner, le London Jazz Orchestra, le Hackney Colliery Band, l'Ambient Jazz Ensemble et le Nelson Riddle Orchestra. Il est également coleader du quartet de jazz 'Time Is Of The Essence', et compose et arrange du matériel pour cette formation et d'autres ensembles. Ollie est actif dans l'éducation musicale, actuellement comme responsable de cours du département jazz de la Guildhall School of Music and Drama (école junior), où il dirige des ensembles de jazz, un big band et des cours de théorie. Il a écrit une série de livres 'Exploring Jazz' pour Schott Music, publiés dans le monde entier et inscrits aux programmes d'examen au Royaume-Uni. Ollie a également animé des ateliers pour l'Oxford University, Pro Corda Strings et BABSWE, ainsi que pour les écoles d'été de la Guildhall School of Music. Dans ses cours Exploring Jazz Saxophone, Ollie te mène des tout premiers pas jusqu'à improviser en toute confiance sur des morceaux et des grilles d'accords, en développant les compétences d'improvisation qui mettent le vocabulaire d'un véritable jazzman à portée de tes doigts. read more




