Leçon 6 sur 10Production musicaleIntermediate

Configurer et enregistrer un template

4:30
Le template de Dov repose sur une combinaison de sons orchestraux et électroniques. Voyons comment il a tout configuré à l'aide de dossiers de pistes.
Extrait du coursComposition dans Logic : flux de travail et modèles10 leçons (0h 46min)

Cette leçon fait partie du cours complet. 1 leçon est gratuite.

à partir de13 $US/mois

Découvrir le cours
Annulation à tout momentRemboursement sous 30 jours
Dov WatermanVotre guruDov Waterman

Le contenu du cours

10 leçons (0h 46min) · 1 gratuites
    • 01. Bienvenue dans le cours et le point de vue de Dov sur la créativité

      Leçon gratuite

      3:29

    • 02. Introduction au workflow et à l'efficacité

      1:30

    • 03. Flux de travail et efficacité

      7:13

    • 04. Raccourcis clavier

      6:04

    • 05. Créer une palette de sons

      4:02

    • 06. Configurer et enregistrer un template

      Tu es ici

      4:30

    • 07. Vue d'ensemble de la bibliothèque et des tranches de console

      9:20

    • 08. La barre d'outils

      4:23

    • 09. Screen-sets

      4:34

    • 10. Exercice : Crée ton template

      1:18

Transcription de la leçon

Music Production Lesson: Using Track Stacks in Your Template

Okay, so my template is built up of a combination of electronic and orchestral sounds. I have various sections of the orchestra over here:

  • Strings
  • Brass section
  • Woodwinds
  • Orchestral effects pads
  • Atmospheres
  • Sequences
  • Ops arpeggiators

Organizing Tracks

I save all my sounds into these track folders. Now, regarding track folders:

  • If I select a bunch of tracks (like I've done here with my string sections) and do a Control+Click, I can create a Track Stack.

When I do this, it opens up a page giving me an option to save it as either:

  • Folder Track
  • Summing Track

Folder Track

A Folder Track basically just groups the tracks into what is known as a VC (Volume Control) channel strip. This will only control your volume. Any auxiliaries or outputs are specific to the instruments themselves and will go out wherever you've sent them.

Summing Track

A Summing Track, on the other hand, acts as a bus auxiliary. This means you're bussing all these instruments into a bus, allowing you to control them much easier.

  • For example, if you wanted to add compression over your entire string section, this is where you would do it.

Demonstrating Folder vs. Summing Track

Let's reverse that for a moment and show what happens if I create a Folder Track.

  • If I go to create a Track Stack and choose a Folder Track, it will produce a folder track that only has one volume control for it.
  • The rest of these instruments are still going out; they should be bussed to the normal output.

However, because I've already created a Summing Track before, it has converted these to Bus 3. Normally, with the Folder Track, you would see the output as "Stereo Output."

Setting Up Summing Track

So, I'm going to reverse it back and do a Summing Track, which is what I normally use for this type of folder track.

  • My outputs are now in Bus 3, which goes to my main output.
  • As you can see, I've done this for all the rest of my instrument sections, such as:
    • Brass, bussed out to this folder track Bus 4
    • Woodwinds, and so on and so forth.

Final Thoughts

Basically, at the end of this, I've got a very large template that works efficiently for me.

  • This template may be moderately large, but it suits my needs.
  • Your template doesn't necessarily need to be as big. Depending on the type of music you're writing, you can have various different templates.

I have different templates for the varying genres of music I write for.

Saving Your Template

Once I'm satisfied with my settings, I'll save it as a template.

  • To save, I go to FileSave as Template.
  • If I've made any tweaks or changed some sounds and want to save them as a new template, I repeat the same steps.

This will save the template in your Templates folder, which is located in your Logic folder in your user library.

13 $US/moisAbonnement

10 leçons

0h 46m de leçons vidéo structurées

Fonctions vidéo avancées

Ralentissez, bouclez un passage, suivez la partition

Mobile, tablette et ordinateur

Pratiquez où vous voulez

Satisfaction garantie à 100 %

Garantie remboursement 30 jours

Rencontrez votre guru

Dov Waterman

Dov Waterman

Dov Waterman est compositeur, pianiste et producteur. Il a écrit et conçu le son de films tels que After Earth, Terminator Genisys, Transformers: The Last Knight et The Snowman, et travaille comme monteur audio de bibliothèques de samples et sound designer avec des sociétés comme Native Instruments et SonoKinetic.

Sa série Composition in Logic parcourt la construction d'un morceau de bout en bout dans Logic Pro — des templates et du workflow jusqu'à la synthèse et la programmation de beats, les effets MIDI, le montage et le mix final — pour les producteurs qui veulent transformer leurs idées en disques aboutis.

Dov Waterman
Pat Levett
Joe Glossop
Frank Doll
Katie Melua
Ed O'Brien
Imogen Heap
Adam Mishan
Chet Atkins

Apprends avec Dov Waterman et des centaines d'autres

Accès illimité, satisfait ou remboursé

13 $US/mois

Abonnement