Corona - Rhythm of the Night

Charlie Rapino
Charlie Rapino

Lesson time: (15min 3sec)

Charlie Rapino revient sur les années à succès des Rapino Brothers - faire tourner une « usine à hits », cartonner avec « Rhythm of the Night » aux côtés de Corona, et pourquoi il a toujours traité honnêtement avec les labels.

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Lesson transcript:

Music Lessons with The Rapinoe Brothers

Introduction

Take that, could it be magic? A massive hit by the Rapinoe Brothers, who were on a real trajectory in the music industry.


The Next Big Hit

  • Case Study: What was the next big case study sort of hit for you?
  • Industry Perception: At that point, we were really on the map. Many executives thought that we could essentially fix any record available in the industry.

The Boy Band Phenomenon

  • After "Take That," suddenly everyone jumped on board with the boy band craze.
  • Groups like East 17 and others entered the scene. Another market, another frontier.

The Hit Factory

  • We were producing one record a day.
  • Some might call it a "hit factory" or, humorously, a "shit factory."

The Call for Help

  • I remember receiving a call from Mike McCormack's wife, Joanne, who, sadly, has passed away.
  • She was a very intelligent A&R person behind the Spice Girls.

Joanne's Plea: "I need you. I got this boy band, and we need to fix a record, a cover of a Shalimar song."

  • The "magic touch" they referred to was really just a cheap reverb machine.

Crafting a Hit

  • We changed the track and got somewhat stuck.
  • Despite any grievances about record companies, my advice is always to be ethical, honest, and sincere.

Honest Communication: "Joanne, you can have the record now, but it ain't a hit. Give me another three days, and it will be a hit."

  • After two days, we delivered the improved record, and it reached number eight on the charts once again.

Understanding the Market

  • When you're in the pop market, you have a "touch" for what people want to hear.
  • Brand Creation: It's about creating the brand, the brand Rapinoe.

The Call from Warners

  • We received a call from Warners, specifically from A&R Steve Allen, an ex-artist known for his artistry.

Steve's Quote: "Look, I need to see you guys."

  • It's funny how early in the morning it gets when they need you!

The Challenge

  • He wanted our number, but no one had our contact details.
  • We had a legend surrounding us: the "Rapinoe Brothers."

The Recording Session

  • When Steve arrived, he put a cassette on and thought we wouldn't like it.

Our Response: "Stop the bloody thing! It's a piece of shit. But you know what? I love it. This record is a number one."

  • The melody was simple, making it accessible for anyone to sing.

Business Decisions

  • I called Bud, our manager, and said, "We need to do this record. We can get a big advance."

The Power of Music Marketing

  • It's often thought that marketing is key, but it fundamentally comes down to the product itself.
  • Self-Marketing: If your product resonates, it markets itself.

Insights on Music Production

  • Production and marketing are intertwined; production serves as the package.
  • Music transitioned from aesthetic art to a consumable product similar to shoes.

Breaking Down Perceptions

  • Many often overlook the importance of truly understanding what makes music appeal to the masses.
  • Even as we navigated through early challenges, we soon realized we had a hit.

The Unexpected Success

  • Although it didn't chart initially in the cool charts or radio, it exploded once we played it on the air.

Chart Performance: Went number four in the States and straight to number one in England.

Coolness in the Industry

  • The Rapinoe Brothers were placed in an uncool space, but we were so uncool that we became cool.

Musical Inspirations

  • My inspiration came from figures like Phil Spector and German producer Connie Plank.
  • If you want to succeed in pop, listen to something completely different from pop.

Advice: "If you aim to be a mainstream pop artist, listen to non-pop music."

Derivative Nature of Music

  • Every piece of music is derivative to some extent. Kate Bush is one of the few artists who stands apart.

Unique Artists

  • Kate Bush's work transcends typical market constraints, merging classic and modern elements in a unique way.

Final Thought: "Her music is completely mad yet very popular because it's so different."


This concludes our lesson with insights from the Rapinoe Brothers, showcasing their journey, production philosophies, and the essence of creating lasting hits in the music industry.

About the instructor

Charlie Rapino
Charlie Rapino

Charlie a débuté dans l'industrie musicale en tant qu'avocat fraîchement diplômé, organisant des concerts en faisant venir des artistes comme Iggy Pop et Patti Smith devant un public universitaire italien radical. Après avoir travaillé au célèbre Record Plant NYC et s'être imprégné de la scène house, il forme les Rapino Brothers avec Marco Sabiu, s'installe à Londres en 1990 et ne regarde plus jamais en arrière. Là-bas, ils marquent la décennie de leur empreinte en produisant et en enregistrant des disques. Après leur premier succès avec Love Me The Right Way de Kym Mazelle, ils orchestrent le premier tube de Take That et produisent, mixent et peaufinent de nombreux grands noms de la pop dans les années 1990, de Kylie à Primal Scream. En 1997, Charlie est le producteur « à l'antenne » de « Get Your Act Together » sur la BBC, suivi de « Full Frontal » sur Channel 4. De 1999 à 2004, il est A&R Director chez Sony Music International. Son énergie ne faiblit jamais. Au fil des années, il a partagé son temps entre le conseil en management pour Ennio Morricone, le conseil pour le magazine Rolling Stone, le travail sur des bandes originales et le conseil en production pour le cinéma et les jeux vidéo (y compris convaincre Iggy Pop de faire les voix off du jeu vidéo Driver 3), ainsi que la signature et la gestion d'artistes via son label en coentreprise avec Sony, Stud Records. Dans Get signed!, Charlie lève le voile sur des décennies d'expérience en production et en A&R pour te montrer exactement ce que les labels recherchent, comment façonner et présenter ton projet, et ce qu'il faut réellement pour se faire remarquer et décrocher un contrat. read more

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16 lessons (2h 16m)
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