Cómo usar una púa de guitarra
Lesson time: (2min 49sec)
Course preview
This lesson is part of the course Método de Guitarra: Rock & Pop
Watch a preview of the full course below.
Lesson transcript:
Understanding the Pick
We also need to talk about the pick. This is what we use to pluck the strings.
Why Use a Pick?
- We can use our fingers, but the pick is for a more rock/pop style.
- Using a pick allows for a lot more speed.
Types of Picks
- Picks are typically made of:
- Plastic
- Sometimes bone or glass
In general, we're going to be using plastic picks. You might find your picks a bit larger than mine and thinner. However, my personal preference is a short, thick pick.
How to Hold the Pick
To hold the pick:
- Extend your strumming hand and keep your fingers straight.
- Curl your fingers to create a Y shape.
- Place the pick into that Y shape with the tip coming out.
- Use your thumb to clamp down on the pick.
You can adjust the pick a little in your fingers for comfort. As a general rule, this is how we want to hold the pick.
Playing Speed and Tip Visibility
As we progress, you'll notice that the songs we learn become faster.
- It's hard to play quickly with the pick showing a lot of your tip.
- Aim for as small a tip as you can‚ maybe half a centimeter showing from your finger.
- This gives you accuracy and helps prevent the pick from getting caught in the other strings.
Example
Here's an example of this concept:
-
Large Tip: Notice how I'm getting caught up in the strings, reducing my accuracy.
- For instance, I'm accidentally hitting the G string.
-
Small Tip: By bringing the tip closer into my fingers and showing only a little bit, my accuracy improves significantly.
Grip and Angle
When holding the pick, remember:
- Don't grip it too hard; just keep it in place.
- Avoid being too loose, or you might drop the pick while strumming.
- A medium grip is ideal, allowing you to brush through the strings without getting caught.
Angle of Attack
The angle you hit the strings is personal preference:
- Some people play with a flat angle (the pick resting flat on the strings).
- I find I can play faster with a slight angle.
- This technique allows me to brush and glide off the strings rather than getting caught.
Sound Variation
When I play the guitar, I can achieve different sounds based on where I pluck the strings, similar to the guitar pickups:
- Neck Pickups: Warmer sound (closer to the neck).
- Bridge Pickups: More twangy and harsh sound (closer to the bridge).
Listening Example
- Playing closer to the neck yields a rounded, mellow sound.
- Moving closer to the bridge creates a brighter, harsher tone.
This is ultimately your personal preference, but throughout the course, I recommend playing around the middle position, as it provides the most even sound‚ somewhere in this area.
About the instructor

Tommy Webb es un guitarrista afincado en Londres que completó una licenciatura con honores (BA Hons) en guitarra en la Academy of Contemporary Music de Guildford, estudiando con Sandy Beales (One Direction, Wheatus) y Nicolas Meier (Jeff Beck). Su propia forma de tocar se mueve con libertad entre el rock, el pop, el indie, el hip-hop, el country y el metal, exactamente el terreno que cubren sus métodos de guitarra. Tommy ha trabajado con una amplia variedad de artistas y bandas por todo el país, entre ellos Jarki Monno e Indira May, compartiendo escenarios y sesiones con guitarristas como Paul Murray (Jess Glynne, Zak Abel) y Adam Chetwood (Paolo Nutini, Mark Ronson), y con baterías como Alex Woodward (Black Honey), Luke Robinson y “Bambi Music” (N-Dubz, Lethal Bizzle, Wretch 32, Tinie Tempah). Sobre el escenario, ha actuado en el Jazz Cafe como telonero de la cantante de soul Jocelyn Brown, además de en salas y festivales como Ronnie Scott's, Troy Bar, The Watford Colosseum, Camden Assembly, Kensington Roof Gardens, Notting Hill Arts Club, Meraki Festival y Sundown Festival. En disco y radio, Tommy ha grabado sesiones en directo para BBC Three Counties Introducing, Vibe FM y Pulse 88, con temas emitidos en BBC Radio 1 y Radio 2. Ha grabado en estudios como South Lanes Brighton, Hempstead Road y Titan Studios con productores como Steph Carter (Gallows, Lyoness) y TMS / Froe Barnes (Lewis Capaldi, Dua Lipa). En sus métodos de guitarra, Tommy te transmite todo ese saber de músico en activo, enseñándote las técnicas, los tonos y el feeling que hay detrás de los estilos reales, del rock y el pop al indie, el hip-hop, el country y el metal, para que puedas tocar la música que de verdad te gusta. read more




