Riff que combina valores de nota
Lesson time: (2min 32sec)
Course preview
This lesson is part of the course Método de Guitarra: Rock & Pop
Watch a preview of the full course below.
Lesson transcript:
Music Lesson: Combining Note Values
Looking at example three of POP part two, this is combining note values we've looked at previously.
Overview
- Bars 1, 2, and 3: You have a quarter note rest on the second beat.
- If we just clap that, you'll have:
1, 2, 3, 4- The same again for the next two bars.
- If we just clap that, you'll have:
- Bar 4: We have our half notes.
- Bar 5: A whole note at the end.
Gradual Slowdown
We're gradually getting slower in terms of our picking:
- Counting:
1, 2, 3, 4
1, 2, 3, 4
1, 2, 3, 4
1, 2, 3, 4
1, 2, 3, 4
Pitches
We've seen all of these pitches before:
- Start off with the open E.
- Move to the third on the A string, which is C.
- Then to the second, which is B.
Finger Placement:
- Use your ring finger for the third fret and your middle finger for the second fret (3 and 2).
Consistency in Practice
- Bar two and bar three will be the same as aforementioned.
- This is building the stamina in our fingers and our concentration to play the same thing over and over again, just like riffs do in the real world.
Bars 4 and 5
- Bar 4: With our half notes, we have the open D (which we've learned in previous examples), going to C (third fret on the A string), followed by the open E string.
- Bar 5: This is our whole note.
- Counting for these last two bars:
1, 2
1, 2
1, 2, 3, 4
- Counting for these last two bars:
Putting It All Together
Let's try sticking that all together really, really slowly, making sure we're getting all the rhythms and counting as we go:
1, 2, 3, 4
1, 2, 3, 4
1, 2, 3, 4
1, 2, 3, FOUR
1, 2, 1, 2, 1, 2, 3, 4
Tips for Practice
If this is too quick for you at the minute, go at your own pace.
- Slow it right down as long as you're counting and tapping your foot.
- That's what really matters!
About the instructor
Tommy Webb es un guitarrista afincado en Londres que completó una licenciatura con honores (BA Hons) en guitarra en la Academy of Contemporary Music de Guildford, estudiando con Sandy Beales (One Direction, Wheatus) y Nicolas Meier (Jeff Beck). Su propia forma de tocar se mueve con libertad entre el rock, el pop, el indie, el hip-hop, el country y el metal, exactamente el terreno que cubren sus métodos de guitarra. Tommy ha trabajado con una amplia variedad de artistas y bandas por todo el país, entre ellos Jarki Monno e Indira May, compartiendo escenarios y sesiones con guitarristas como Paul Murray (Jess Glynne, Zak Abel) y Adam Chetwood (Paolo Nutini, Mark Ronson), y con baterías como Alex Woodward (Black Honey), Luke Robinson y “Bambi Music” (N-Dubz, Lethal Bizzle, Wretch 32, Tinie Tempah). Sobre el escenario, ha actuado en el Jazz Cafe como telonero de la cantante de soul Jocelyn Brown, además de en salas y festivales como Ronnie Scott's, Troy Bar, The Watford Colosseum, Camden Assembly, Kensington Roof Gardens, Notting Hill Arts Club, Meraki Festival y Sundown Festival. En disco y radio, Tommy ha grabado sesiones en directo para BBC Three Counties Introducing, Vibe FM y Pulse 88, con temas emitidos en BBC Radio 1 y Radio 2. Ha grabado en estudios como South Lanes Brighton, Hempstead Road y Titan Studios con productores como Steph Carter (Gallows, Lyoness) y TMS / Froe Barnes (Lewis Capaldi, Dua Lipa). En sus métodos de guitarra, Tommy te transmite todo ese saber de músico en activo, enseñándote las técnicas, los tonos y el feeling que hay detrás de los estilos reales, del rock y el pop al indie, el hip-hop, el country y el metal, para que puedas tocar la música que de verdad te gusta. read more