Melodía usando la nota C y silencios
Lesson time: (4min 59sec)
Tommy Webb presenta la nota C (tercer traste, cuerda A) y la usa en una breve melodía con silencios, enlazando las notas que has aprendido hasta ahora.
Course preview
This lesson is part of the course Método de Guitarra: Rock & Pop
Watch a preview of the full course below.
Lesson transcript:
Music Lesson: Finding Note C
Introduction to Note C
In this example, we will find the new note C. To play this note, we will:
- Play the third fret on the A string.
Recap of Previously Learned Notes
So, let's recap what we've learned so far from rock and pop examples:
- E: Open E string
- F: First fret on the E string (played with our first finger)
- G: Third fret on the E string (played with our third finger)
- A: Open A string (second thickest string)
- B: Second fret on the A string (played with our middle finger)
- C: Third fret on the A string (played with our third finger)
Practice Recommendations
It would be good to practice these notes slowly, trying to memorize all six positions and their names in order:
- E, F, G, A, B, C
You can also practice them backward.
Connecting the Fretboard to Music Reading
In addition to practicing these notes on the fretboard, it's beneficial to locate them on the stave as well. Remember to refer back to our music reading section to find the notes on the stave and make the connection between the fretboard and what you're seeing on the music.
Example Three: Rhythm and New Note
In Example Three of the pop section, we see quarter note rests again, as well as our new note C.
-
Bar 1:
- Start off the phrase with the third fret on the E string.
- The rest is on beat two.
- On beat three, play A note followed by a rest.
- Then, play the open A string and fret two (which is B on the A string).
- Sounds like this: 1, 2, 3, 4.
-
Bar 2:
- A change in rhythm with half notes lasting for two beats.
- Introduce our brand new note C (third fret on the A string).
- Open up to the open A string for two beats.
Focus on Technique
In this section, we are focusing on:
-
Playing two notes on the third fret: G (E string) and C (A string).
-
Practice these two bars while keeping your third finger (ring finger) around this area.
-
Tip: Try to keep your finger in position to maintain a smooth flow between the two notes without lifting too high.
Bar Changes and Counting
- Bar 3:
- Similar notes as before, but the rest has moved.
- Count carefully as this may take some time to adjust from the rest being on beat two to beat three.
Getting Comfortable with New Techniques
- For the new notes:
- Third fret on the E string (G) to second fret on A string (B).
- Practice moving between these two notes, playing both notes simultaneously in terms of the left hand and plucking different notes with your pick.
Structure of Bar 3
-
Bar 3:
- G (third fret on the E string)
- B (second fret on the A string)
- Rest
- B again
-
Final Bar:
- C (third fret)
- Open A string
- G on the E string (lasting for two beats)
Conclusion: Bringing It All Together
This is a great example of maintaining finger position and not moving too far away from the frets.
Here's the whole line, nice and slowly for us to play together:
1, 2, 3, 4.
Clapping Exercise
To clap the rhythm, do the following:
1, 2, 3, 4.
Take your time adjusting to the different positions of the rests, and practice everything together before moving on to the backing track.
About the instructor

Tommy Webb es un guitarrista afincado en Londres que completó una licenciatura con honores (BA Hons) en guitarra en la Academy of Contemporary Music de Guildford, estudiando con Sandy Beales (One Direction, Wheatus) y Nicolas Meier (Jeff Beck). Su propia forma de tocar se mueve con libertad entre el rock, el pop, el indie, el hip-hop, el country y el metal, exactamente el terreno que cubren sus métodos de guitarra. Tommy ha trabajado con una amplia variedad de artistas y bandas por todo el país, entre ellos Jarki Monno e Indira May, compartiendo escenarios y sesiones con guitarristas como Paul Murray (Jess Glynne, Zak Abel) y Adam Chetwood (Paolo Nutini, Mark Ronson), y con baterías como Alex Woodward (Black Honey), Luke Robinson y “Bambi Music” (N-Dubz, Lethal Bizzle, Wretch 32, Tinie Tempah). Sobre el escenario, ha actuado en el Jazz Cafe como telonero de la cantante de soul Jocelyn Brown, además de en salas y festivales como Ronnie Scott's, Troy Bar, The Watford Colosseum, Camden Assembly, Kensington Roof Gardens, Notting Hill Arts Club, Meraki Festival y Sundown Festival. En disco y radio, Tommy ha grabado sesiones en directo para BBC Three Counties Introducing, Vibe FM y Pulse 88, con temas emitidos en BBC Radio 1 y Radio 2. Ha grabado en estudios como South Lanes Brighton, Hempstead Road y Titan Studios con productores como Steph Carter (Gallows, Lyoness) y TMS / Froe Barnes (Lewis Capaldi, Dua Lipa). En sus métodos de guitarra, Tommy te transmite todo ese saber de músico en activo, enseñándote las técnicas, los tonos y el feeling que hay detrás de los estilos reales, del rock y el pop al indie, el hip-hop, el country y el metal, para que puedas tocar la música que de verdad te gusta. read more




