Feel de tresillo
Lesson time: (2min 53sec)
Mike Lovatt muestra cómo el swing se reduce a tocar tus corcheas con feel de tresillo, y cómo encajar en el groove del batería.
Course preview
This lesson is part of the course Toca swing auténtico en la trompeta
Watch a preview of the full course below.
Lesson transcript:
Unlocking the Swing Secret in Jazz
Okay, so now we're going to unlock that secret that we all have as jazz players regarding what swing is and how we play it, how we sound like that. We know how to swing, and this all comes down to the quavers we play.
Understanding Quavers
Quavers, which you are probably used to playing, even as in classical music, sound quite different when played with a swing feel.
Demonstration: Classical vs. Swing
Let me give you a demonstration. I will play the last phrase in the piece as though it's a classical piece of music with even quavers.
As you can hear, it sounds completely different than the performance I gave earlier.
Making Quavers Swing
So, how do we make our quavers swing?
We think along a triplet feel.
What is a Triplet?
Now, you may not know what a triplet is, so let me demonstrate:
- I will clap a triplet rhythm and count as well.
- Here's how to count a triplet:
- "1 under, 2 under, 3 under, 4 under"
- "1 under, 2 under, 3 under, 4 under."
In this way, the four beats in the bar are divided into three notes. Each beat is divided into three notes.
Swinging Quavers
Now, the jazz quavers pick up on that triplet rhythm.
- We go: 1, 2, 3, 1, 2, 3, 1-2-3.
- Listen: Dee Dee Dee dee dee dee dee dee dee dee dee dee.
That is how we make it swing.
Listening to the Drummer
To get the sound of the swing quavers, one of the things I do when I'm playing is listen to the drummer. Pay attention to the way they're playing the triplet feel with the swing quavers.
In the backing track to the recording you heard earlier, the drummer is playing the swing quavers, the triplet feel on the cymbal.
Practice Together
If you found that hard to hear, let's try a little practice. How about I play a phrase, and you repeat after me?
About the instructor

Mike Lovatt estudió en el Trinity College of Music, donde recibió la Jon Kelly Jazz Scholarship. Ha actuado y grabado en una enorme variedad de estilos con artistas como Quincy Jones, Robbie Williams, Eric Clapton, la Orchestra of the Royal Opera House Covent Garden, la Royal Philharmonic Orchestra, Michael Buble, Oasis, Michel Legrand, Tony Bennett, Shirley Bassey y Danny Elfman, entre muchos otros. Como trompeta principal en el West End de Londres, Mike ha actuado en Jesus Christ Superstar, Evita, The Producers, Billy Elliot, Guys and Dolls, Saturday Night Fever, My Fair Lady y Spamalot, entre otros. Ha tocado en bandas sonoras de películas como las de James Bond, Harry Potter con la London Symphony Orchestra, la premiada Chicago, Beyond the Sea de Kevin Spacey, Charlie and the Chocolate Factory, Madagascar y The Corpse Bride. Aparece a la trompeta y la corneta en Mrs Henderson Presents de George Fenton, y a la trompeta en Looking for Eric. Mike es trompeta principal de la John Wilson Orchestra, nominada a un Grammy, y ha destacado en sus célebres conciertos y grabaciones de los BBC Promenade. Mike es muy solicitado como profesor y clínico, y es catedrático de trompeta en la Royal Academy of Music y en el Royal College of Music. En abril de 2013 tuvo el orgullo de recibir la prestigiosa Derek Watkins' Chair of Trumpet en la Royal Academy of Music de Londres. En sus cursos de MusicGurus, Mike comparte los secretos de su versatilidad, mostrándote cómo clavar los estilos de trompeta auténticos de swing, rock y latino para que puedas tocar cualquiera de ellos con confianza y el feel adecuado. read more




