Cómo usar una sordina plunger

Mike Lovatt
Mike Lovatt

Lesson time: (2min 39sec)

Mike Lovatt muestra cómo usar una sordina plunger para growls, wahs y una articulación expresiva, y cómo lograr los mismos efectos con un cuenco de plástico si no tienes una.

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This lesson is part of the course Toca swing auténtico en la trompeta
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Lesson transcript:

Music Lesson: Using the Plunge Mute

Introduction

That was me playing Slinky using a rubber plunge mute. I hope you enjoyed all the effects, the growls, and the wahs that I created using it.

Demonstration with a Plastic Bowl

Unfortunately, my dogs ran off with my plunge mute, so I had to go to the kitchen and get a plastic bowl to demonstrate how I achieve those effects. You could get a plastic bowl too and try making sounds like this.

Articulation with the Plunge Mute

What we use the plunge mute for is to enhance our articulation, like this:

  • I'm not actually using my tongue there; I'm using the mute as a tongue.
  • Wa, wa, wa.

Practice

You have a go at doing it after me. Let's just do it on a middle.

First Effect: This is the first effect we need to learn how to do:

  • Wah, wah, wah.

To achieve this, you need to:

  • Hold the trumpet firmly with your right hand.
  • Hold the mute firmly in your left hand.

Creating Different Sounds

Another effect we can do is to keep the mute completely closed. When we do this, we get a sound like this:

  • If you do have a rubber plunger, you could go down to your local hardware store and buy an ordinary sink plunger. Make sure there's a hole in the end of it; otherwise, when the mute is completely closed over the bell, we won't be able to get any sound through.
  • If the mute is completely closed, we won't be able to get any air out of the bell.

How to Use the Mute

  • Get the mute and place it over the end of the bell, then blow.
  • We have to blow quite hard when the mute is completely closed over the end like this.

Important Note:
If I blow that hard and the mute isn't over the end of the bell, it's very loud. We need to support that note.

About the instructor

Mike Lovatt
Mike Lovatt

Mike Lovatt estudió en el Trinity College of Music, donde recibió la Jon Kelly Jazz Scholarship. Ha actuado y grabado en una enorme variedad de estilos con artistas como Quincy Jones, Robbie Williams, Eric Clapton, la Orchestra of the Royal Opera House Covent Garden, la Royal Philharmonic Orchestra, Michael Buble, Oasis, Michel Legrand, Tony Bennett, Shirley Bassey y Danny Elfman, entre muchos otros. Como trompeta principal en el West End de Londres, Mike ha actuado en Jesus Christ Superstar, Evita, The Producers, Billy Elliot, Guys and Dolls, Saturday Night Fever, My Fair Lady y Spamalot, entre otros. Ha tocado en bandas sonoras de películas como las de James Bond, Harry Potter con la London Symphony Orchestra, la premiada Chicago, Beyond the Sea de Kevin Spacey, Charlie and the Chocolate Factory, Madagascar y The Corpse Bride. Aparece a la trompeta y la corneta en Mrs Henderson Presents de George Fenton, y a la trompeta en Looking for Eric. Mike es trompeta principal de la John Wilson Orchestra, nominada a un Grammy, y ha destacado en sus célebres conciertos y grabaciones de los BBC Promenade. Mike es muy solicitado como profesor y clínico, y es catedrático de trompeta en la Royal Academy of Music y en el Royal College of Music. En abril de 2013 tuvo el orgullo de recibir la prestigiosa Derek Watkins' Chair of Trumpet en la Royal Academy of Music de Londres. En sus cursos de MusicGurus, Mike comparte los secretos de su versatilidad, mostrándote cómo clavar los estilos de trompeta auténticos de swing, rock y latino para que puedas tocar cualquiera de ellos con confianza y el feel adecuado. read more

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29 lessons (1h 2m)
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