I Need A Dollar (análisis)
Lesson time: (10min 59sec)
Juliet Russell trabaja 'I Need A Dollar' de Aloe Blacc y la usa para practicar quintas justas y transiciones suaves entre tu registro grave y agudo.
Course preview
This lesson is part of the course Habilidades esenciales para cantantes
Watch a preview of the full course below.
Lesson transcript:
Male Vocalists: Your Challenge with "I Need A Dollar" by Aloe Blacc
Overview
So, male vocalists, your challenge, if you choose to accept it, is your second song. This will be "I Need A Dollar" by Aloe Blacc.
Key Elements of the Song
- This song provides a perfect opportunity to recap your perfect fifths.
- You will sing phrases like, "I need, I need a dollar," focusing on hitting the notes accurately.
Song Range
- Range: The song spans mainly just over an octave, from G flat to A flat above.
- For the octave jump: it would sound like this.
- Remember, that's similar to "Somewhere Over the Rainbow" (1, 8, 1).
Transitioning Registers
- Listen for the transition between your lower register and upper register.
- When "sirening" up, it would sound like: A
- Jazz, could you do that for me? (3 and lovely.)
- You can hear that change.
Practice Techniques
- Practice the transition with:
- O
- Have a go: O
- Great.
Additional Exercises
-
You can practice using a siren:
- Just say: O
- Try: O (with Jazz).
- Perfect!
-
Then, try a little: Woo.
- Feel the different timbres and registers:
- Oo.
- Try: Oo.
- Feel the different timbres and registers:
Practicing the Lyrics
- Transition into:
- "I need a dollar."
- You can practice sliding:
- "I need, I need a dollar."
Dynamics and Timbral Variation
-
Some of you might want to stay in full voice:
- Example: "I need a dollar."
-
Jazz, could you demonstrate a lighter phrasing?
- How does that feel?
Connecting Phrases
- Let's try connecting more smoothly:
- "I need a dollar."
- "A dollar."
High Notes and Alternatives
- Remember, if high notes feel uncomfortable, let's find an option.
- Instead of going up, you can say:
Help Me Section
- For the section "Help me," let's work on making that less breathy:
- Try: "Help me."
Alternative Notes
- If you prefer, you can take it down an octave:
- So, Jazz, demonstrate:
- Help me.
Singing Comfortably
- Always ensure your singing feels easy and comfortable!
- You can leave out difficult notes or work around them.
Precision in Lyrics
- When singing:
- "I need a dollar, a dollar, a dollar is what I need."
- Take a breath before it but still create space in the phrase.
Final Practice
- Jazz, let's hear a take on the first part:
- "I need a dollar, a dollar, a dollar is what I need."
- Make it slightly smoother.
Breathing Techniques
- If you need to breathe, try to combine phrases:
- "If I share with you my story, won't you share your dollar with me?"
Closing Thoughts
- Thank you, Jazz, for singing for us!
- Take your time and always work where your voice feels comfortable.
- If something's not working yet, give it time.
- Tip: Warm up with sirens and hum through the song before singing.
Good Luck!
- Remember, you want to feel good about your progress!
About the instructor

Juliet Russell es cantante, compositora, coach vocal y directora de coros. Le apasiona ayudar a personas y comunidades a desarrollar su voz y su creatividad. Coach vocal en The Voice y The Voice Kids de ITV y en Michael McIntyre’s Big Show de la BBC, Juliet también ha trabajado con artistas galardonados con premios Grammy, Brit, MTV Europe y MOBO. Ha colaborado y actuado con artistas innovadores como Damon Albarn, Imogen Heap, Paloma Faith, alt-J, Yoko Ono, Seal y Ringo Starr. En 2015, con el apoyo del Arts Council of England, llevó de gira su álbum Earth Meets Sky, con músicos locales y coros comunitarios para crear diez actuaciones únicas por todo el Reino Unido. Recibe con regularidad encargos para crear nuevas piezas corales y arreglos vocales, y ha actuado a nivel nacional e internacional. Comprometida con el desarrollo de artistas, Juliet ejerce de mentora y coach de artistas emergentes, trabajando con empresas de management, discográficas y editoriales, así como con artistas independientes. Tiene un estudio vocal en pleno corazón de la vibrante Brick Lane de Londres. Juliet fue directora artística fundadora de Sense of Sound y directora creativa de Sing Up Greenwich y de Sing Late en el V&A. Dirige el Portobello Live Choir, un coro comunitario del oeste de Londres, y el coro profesional Assemble, y es formadora del programa Singing for Lung Health de la British Lung Foundation. read more




