I Need A Dollar (análisis)

Juliet Russell
Juliet Russell

Lesson time: (10min 59sec)

Juliet Russell trabaja 'I Need A Dollar' de Aloe Blacc y la usa para practicar quintas justas y transiciones suaves entre tu registro grave y agudo.

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This lesson is part of the course Habilidades esenciales para cantantes
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Lesson transcript:

Male Vocalists: Your Challenge with "I Need A Dollar" by Aloe Blacc

Overview

So, male vocalists, your challenge, if you choose to accept it, is your second song. This will be "I Need A Dollar" by Aloe Blacc.

Key Elements of the Song

  • This song provides a perfect opportunity to recap your perfect fifths.
  • You will sing phrases like, "I need, I need a dollar," focusing on hitting the notes accurately.

Song Range

  • Range: The song spans mainly just over an octave, from G flat to A flat above.
  • For the octave jump: it would sound like this.
  • Remember, that's similar to "Somewhere Over the Rainbow" (1, 8, 1).

Transitioning Registers

  • Listen for the transition between your lower register and upper register.
  • When "sirening" up, it would sound like: A
  • Jazz, could you do that for me? (3 and lovely.)
  • You can hear that change.

Practice Techniques

  • Practice the transition with:
    • O
    • Have a go: O
    • Great.

Additional Exercises

  • You can practice using a siren:

    • Just say: O
    • Try: O (with Jazz).
    • Perfect!
  • Then, try a little: Woo.

    • Feel the different timbres and registers:
      • Oo.
      • Try: Oo.

Practicing the Lyrics

  • Transition into:
    • "I need a dollar."
  • You can practice sliding:
    • "I need, I need a dollar."

Dynamics and Timbral Variation

  • Some of you might want to stay in full voice:

    • Example: "I need a dollar."
  • Jazz, could you demonstrate a lighter phrasing?

    • How does that feel?

Connecting Phrases

  • Let's try connecting more smoothly:
    • "I need a dollar."
    • "A dollar."

High Notes and Alternatives

  • Remember, if high notes feel uncomfortable, let's find an option.
  • Instead of going up, you can say:

Help Me Section

  • For the section "Help me," let's work on making that less breathy:
    • Try: "Help me."

Alternative Notes

  • If you prefer, you can take it down an octave:
    • So, Jazz, demonstrate:
    • Help me.

Singing Comfortably

  • Always ensure your singing feels easy and comfortable!
  • You can leave out difficult notes or work around them.

Precision in Lyrics

  • When singing:
    • "I need a dollar, a dollar, a dollar is what I need."
    • Take a breath before it but still create space in the phrase.

Final Practice

  • Jazz, let's hear a take on the first part:
    • "I need a dollar, a dollar, a dollar is what I need."
    • Make it slightly smoother.

Breathing Techniques

  • If you need to breathe, try to combine phrases:
    • "If I share with you my story, won't you share your dollar with me?"

Closing Thoughts

  • Thank you, Jazz, for singing for us!
  • Take your time and always work where your voice feels comfortable.
  • If something's not working yet, give it time.
  • Tip: Warm up with sirens and hum through the song before singing.

Good Luck!

  • Remember, you want to feel good about your progress!

About the instructor

Juliet Russell
Juliet Russell

Juliet Russell es cantante, compositora, coach vocal y directora de coros. Le apasiona ayudar a personas y comunidades a desarrollar su voz y su creatividad. Coach vocal en The Voice y The Voice Kids de ITV y en Michael McIntyre’s Big Show de la BBC, Juliet también ha trabajado con artistas galardonados con premios Grammy, Brit, MTV Europe y MOBO. Ha colaborado y actuado con artistas innovadores como Damon Albarn, Imogen Heap, Paloma Faith, alt-J, Yoko Ono, Seal y Ringo Starr. En 2015, con el apoyo del Arts Council of England, llevó de gira su álbum Earth Meets Sky, con músicos locales y coros comunitarios para crear diez actuaciones únicas por todo el Reino Unido. Recibe con regularidad encargos para crear nuevas piezas corales y arreglos vocales, y ha actuado a nivel nacional e internacional. Comprometida con el desarrollo de artistas, Juliet ejerce de mentora y coach de artistas emergentes, trabajando con empresas de management, discográficas y editoriales, así como con artistas independientes. Tiene un estudio vocal en pleno corazón de la vibrante Brick Lane de Londres. Juliet fue directora artística fundadora de Sense of Sound y directora creativa de Sing Up Greenwich y de Sing Late en el V&A. Dirige el Portobello Live Choir, un coro comunitario del oeste de Londres, y el coro profesional Assemble, y es formadora del programa Singing for Lung Health de la British Lung Foundation. read more

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