Ejercicios de afinación de pregunta y respuesta (ambos)
Lesson time: (6min 1sec)
Juliet Russell dirige un ejercicio de pregunta y respuesta sobre la escala mayor descendente de cinco notas, que te ayuda a encontrar la afinación con comodidad en tu registro grave.
Course preview
This lesson is part of the course Habilidades esenciales para cantantes
Watch a preview of the full course below.
Lesson transcript:
Music Lesson: Exploring Vocal Ranges
This time, we're going to take the exercise down, and I want you to be aware that there's a big crossover between the male range and the female range.
Vocal Ranges
- I will sing with a jazz style, going down as far as is comfortable.
- For me personally, if you're a female voice, you might find that you can get lower than that or not as low as that.
- It's fine. Remember, each voice is unique, and that's what's wonderful about voices.
Exercise Instructions
So, we're going to work downwards this time. When you're doing this exercise, just work where you're comfortable. That's the golden rule: always feel comfortable.
- For the male voice, like Jaz here, he has a very versatile range. He can sing high and very low.
- Male voices also have distinct categories.
- If you're in a choir, a tenor is considered a higher male voice, while a bass has a lower male voice.
- Don't worry about that too much yet, but just be aware that all different voices, regardless of gender, have their own range.
Practice Session
Now, we're going to go down and just see where you get to. Don't force it.
- I don't want anyone singing too low; it's not really singing. Just wherever it's comfortable is good.
Starting Note
Let's try that.
- We're going to start on an A, please.
- Should we do it on an R? Is that good for you?
Ready after 4:
- 2
- 3
- 4
Your turn.
Ready and go down.
Turn whatever sound you like, Jaz.
This time, on Three and A.
Ready? And then we'll go to hum.
- Ready and
- 3
- 4
This one on O:
Your turn, 1. 2. 3. 4.
Good! Remember, stay comfortable on R.
- 3 and R.
- Your turn and
- Stay comfortable on O.
- 3 and good.
Let's stay with the O:
- O.
I'm going to leave Jaz to it now.
So, Jaz, whatever you want to sing is good.
- 5
-
Keep it easy and well done.
Final Note:
- Don't worry if you didn't get that low; it's quite a low voice. Just always work where you're comfortable.
About the instructor

Juliet Russell es cantante, compositora, coach vocal y directora de coros. Le apasiona ayudar a personas y comunidades a desarrollar su voz y su creatividad. Coach vocal en The Voice y The Voice Kids de ITV y en Michael McIntyre’s Big Show de la BBC, Juliet también ha trabajado con artistas galardonados con premios Grammy, Brit, MTV Europe y MOBO. Ha colaborado y actuado con artistas innovadores como Damon Albarn, Imogen Heap, Paloma Faith, alt-J, Yoko Ono, Seal y Ringo Starr. En 2015, con el apoyo del Arts Council of England, llevó de gira su álbum Earth Meets Sky, con músicos locales y coros comunitarios para crear diez actuaciones únicas por todo el Reino Unido. Recibe con regularidad encargos para crear nuevas piezas corales y arreglos vocales, y ha actuado a nivel nacional e internacional. Comprometida con el desarrollo de artistas, Juliet ejerce de mentora y coach de artistas emergentes, trabajando con empresas de management, discográficas y editoriales, así como con artistas independientes. Tiene un estudio vocal en pleno corazón de la vibrante Brick Lane de Londres. Juliet fue directora artística fundadora de Sense of Sound y directora creativa de Sing Up Greenwich y de Sing Late en el V&A. Dirige el Portobello Live Choir, un coro comunitario del oeste de Londres, y el coro profesional Assemble, y es formadora del programa Singing for Lung Health de la British Lung Foundation. read more




