Lección 16 de 23CantoBeginner

Distintos registros

Juliet explica que tenemos dos registros principales – pliegue grueso y pliegue fino y nos guía por ejercicios para conocerlos.

Parte del cursoHabilidades esenciales para cantantes23 lecciones (1h 55m)

Esta lección forma parte del curso completo. 1 lección es gratis.

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Juliet RussellTu gurúJuliet Russell

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23 lecciones (1h 55m) · 1 gratis
    • 01. Distintos registros

      Estás aquí

      3:48

    • 02. Ritmo

      4:18

    • 03. Articuladores

      5:04

    • 04. Dinámica

      3:22

Transcripción de la lección

Understanding Vocal Registers

In this lesson, I want to talk to you about vocal registers. For most of us, especially those working with popular singing styles or contemporary commercial styles, I will concentrate on the two main registers.

The Main Two Registers

There are technically four registers, but the main two are:

  • Thick Fold Setting: This is very close to your speaking voice. For example, if you say "oh, oh, oh," it's probably quite close to your speaking voice.

  • Thin Folds: This quality can be accessed by making a sound like "woo, woo, woo, woo," where you feel that thinner quality.

Using Sirens to Smooth Transitions

When we worked on our sirens, we were moving smoothly through the registers, and we will do so eventually. With registers, some people feel that they have a gap between the two.

  • By using our sirens, we learn how to control the muscles in a way that makes that feeling more flexible, reducing the gap.
  • This gap is often referred to as a break or passaggio, which means transition or change. However, refering to it as a break can be unhelpful since it suggests something is broken. You may feel or hear a difference in the sound.

Be Playful with Your Voice

Another important point is to be playful with your voice in a safe way. Sometimes, when we're being playful, we might:

  • Imitate a whining dog, which allows us to naturally access the thin fold quality.
  • Some people might call this head voice or falsetto. There can be varying definitions depending on different teachers and schools of thought.

Here are a few additional terms you might hear:

  • Speaking Voice
  • Speech Quality
  • Modal Voice
  • Lower Register
  • Thick Folds
  • Chest Voice

Different people use different terminology, and that's fine. It's good to be familiar with a few terms!

Coordinating Voice Quality

The key takeaway is understanding the changeover between the muscles that give us access to the lower voice quality and the higher one.

  • The easiest way to get used to that feeling of change is through using sirens. This method helps smooth the movement of the muscles through coordination.
  • For most singers, the ultimate goal is to use your voice efficiently, flexibly, and with versatility, allowing you to call on various aspects of your voice suitable for what you want to sing and communicate.

Expressive Effect of Register Differences

Sometimes we can use this difference in quality between registers for expressive effect. For example:

  • In "Zombie" by The Cranberries, there's a very clear register break that is used to great effect.
  • Singers like Tom Yorke from Radiohead might use the thinner fold quality to enhance the musical or emotional aspects of their singing.

There's nothing wrong with having a difference in those sounds, but sometimes we want to learn to smooth them over to make the transition less audible.

Conclusion

The main thing to remember from this lesson is that sirens are a pathway to move smoothly between registers and help us develop more flexible vocal musculature.

  • Don't worry if it doesn't come right away; over time, it will happen.
  • Also, be playful with your voice! Experiment with sounds like little puppy whines or expressing "oh, woo."

Each expression brings out different aspects of your voice, helping you understand how many colors you have to paint with as you grow more accustomed to singing and exploring.

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Juliet Russell

Juliet Russell

Juliet Russell es cantante, compositora, coach vocal y directora de coros. Le apasiona ayudar a personas y comunidades a desarrollar su voz y su creatividad.

Coach vocal en The Voice y The Voice Kids de ITV y en Michael McIntyre’s Big Show de la BBC, Juliet también ha trabajado con artistas galardonados con premios Grammy, Brit, MTV Europe y MOBO. Ha colaborado y actuado con artistas innovadores como Damon Albarn, Imogen Heap, Paloma Faith, alt-J, Yoko Ono, Seal y Ringo Starr.

En 2015, con el apoyo del Arts Council of England, llevó de gira su álbum Earth Meets Sky, con músicos locales y coros comunitarios para crear diez actuaciones únicas por todo el Reino Unido. Recibe con regularidad encargos para crear nuevas piezas corales y arreglos vocales, y ha actuado a nivel nacional e internacional.

Comprometida con el desarrollo de artistas, Juliet ejerce de mentora y coach de artistas emergentes, trabajando con empresas de management, discográficas y editoriales, así como con artistas independientes. Tiene un estudio vocal en pleno corazón de la vibrante Brick Lane de Londres.

Juliet fue directora artística fundadora de Sense of Sound y directora creativa de Sing Up Greenwich y de Sing Late en el V&A. Dirige el Portobello Live Choir, un coro comunitario del oeste de Londres, y el coro profesional Assemble, y es formadora del programa Singing for Lung Health de la British Lung Foundation.

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