Ritmo

Juliet Russell
Juliet Russell

Lesson time: (4min 18sec)

¿Cómo se consigue un buen ritmo? Juliet nos introduce en los compases con algunas formas divertidas de entender los tiempos de una canción.

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This lesson is part of the course Habilidades esenciales para cantantes
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Lesson transcript:

Exploring Rhythm in Music

In this lesson, we're going to explore rhythm.

Embodying Rhythm

For me, personally, I find a really great way of exploring rhythm is to start embodying it, just moving along to music. This might be while you're listening to a song on the radio or while you're doing something else.

  • Keeping that inner pulse in the body is really useful.

Basics of Rhythm and Tempo

To explain some of the very basics of rhythm and tempo:

  • Most pop songs (this is a generalization) are in a four-four rhythm. This means there are four beats to a bar.

Counting in Four-Four

Let's count it out together:

  1. 1, 2, 3, 4
  2. 1, 2, 3, 4

Join me:

  • 1, 2, 3, start to move.
  • 1, 2, 3. Walk around the room if you want to.
  • 1, 2, 3, 4.

For some people, you might want to use your feet:

  • 1, 2, 3, 4
  • and
  • 1, 2, 3, 4.

Whatever feels good, you can walk around to that rhythm, just practicing it.

Understanding Tempo

Rhythm can speed up or slow down, and that is the tempo of the song.

  • So when someone talks about the tempo, it's basically how fast or slow it is.
  • Ballads tend to be slower than dance music.

For example, consider a classic disco tune like "Car Wash":

"You might not ever get rich, but let me tell you, it's better than digging a ditch."

You can hear that it's got more tempo and pace. In contrast, some of the songs we're working on in the course are more ballad-like, which means they tend to be slower with longer phrases.

The Four Beats in a Bar

Now, often as a singer, we refer to the four beats in a bar, which are known as crotchets.

  • These four beats are counted as:
    • 1 and 2 and 3 and 4.

When singing, sometimes we focus on the offbeat, which occurs on:

  • and 1 and 2 and 3 and 4 and.

Coordinating Rhythm

To start embodying that, I would say do a stamp and then a click or a clap, whatever you're comfortable with:

  • 1 and 2 and 3 and 4 and
  • 1 and 2 and 3 and 4.

This might be difficult to coordinate if you're not used to it.

Physicalizing Rhythm

Another way of doing it is to walk around:

  • Just do a 1 and 2 and 3 and 4.

You can use whatever space you have and just learn to physicalize and embody that rhythm.

Time Signatures

There's another thing called time signatures.

  • The four-four time we talked about consists of four crotchet beats in a bar, which is what we started with:
    1. 1, 2, 3, 4.

You can also have three crotchets in a bar, which is called waltz time:

  • 1, 2, 3
  • 1, 2, 3.

For example, the song "Natural Woman" has groups of three:

"Looking out on the morning rain, I used to feel so uninspired."

Emphasizing the Offbeat

Another thing that happens when we sing pop or soul music is we often think about the rhythm being on the 2 and the 4. For one of the songs we're going to work on, "I Need a Dollar," this is true:

"I need a dollar, a dollar, a dollar is what I need."

Join in:

  • 1, 2, 3, 4
  • 1, 2, 3, 4.

Click or clap as you join in:

"I need a dollar, a dollar, a dollar is what I need."

Finding Your Rhythm

Just play around with where you feel the pulse of something. This is a great way to get your ears and body attuned to rhythm.

A good way to explore it is to simply dance.

  • Nod your head,
  • Tap your foot,
  • Whatever feels natural.

About the instructor

Juliet Russell
Juliet Russell

Juliet Russell es cantante, compositora, coach vocal y directora de coros. Le apasiona ayudar a personas y comunidades a desarrollar su voz y su creatividad. Coach vocal en The Voice y The Voice Kids de ITV y en Michael McIntyre’s Big Show de la BBC, Juliet también ha trabajado con artistas galardonados con premios Grammy, Brit, MTV Europe y MOBO. Ha colaborado y actuado con artistas innovadores como Damon Albarn, Imogen Heap, Paloma Faith, alt-J, Yoko Ono, Seal y Ringo Starr. En 2015, con el apoyo del Arts Council of England, llevó de gira su álbum Earth Meets Sky, con músicos locales y coros comunitarios para crear diez actuaciones únicas por todo el Reino Unido. Recibe con regularidad encargos para crear nuevas piezas corales y arreglos vocales, y ha actuado a nivel nacional e internacional. Comprometida con el desarrollo de artistas, Juliet ejerce de mentora y coach de artistas emergentes, trabajando con empresas de management, discográficas y editoriales, así como con artistas independientes. Tiene un estudio vocal en pleno corazón de la vibrante Brick Lane de Londres. Juliet fue directora artística fundadora de Sense of Sound y directora creativa de Sing Up Greenwich y de Sing Late en el V&A. Dirige el Portobello Live Choir, un coro comunitario del oeste de Londres, y el coro profesional Assemble, y es formadora del programa Singing for Lung Health de la British Lung Foundation. read more

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23 lessons (1h 55m)
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