We use cookies to personalise content, serve ads, and analyse traffic.
Lesson time: (5min 30sec)
Ron Sayer uses Stevie Ray Vaughan's 'Pride and Joy' to teach left-hand damping over a 12-bar boogie riff full of open strings.
This lesson is part of the course Thinking Out Of The Box 1: Opening The Lid
Watch a preview of the full course below.
Lesson transcript:
Hi, I'm Ron Sayer from musicgurus.com. Today, I'm going to use Steve Ray Vaughan's "Pride and Joy" to give you a little lesson on left hand damping.
Left hand damping is a tricky little technique, but it requires some work, like most things worth learning. Here's what you need to do:
Let's break down the riff:
Starting Note:
For example:
Very slow version might not sound much like it, but that's how it goes. It starts off like this:
(Play the notes here)
Technique:
The goal is to create a "grunt" by hitting all the strings, not just going straight to the notes. If you are just hitting the low E, it won't sound the same.
Continuing the Riff:
Remember to:
Now, let's look at this part of the riff:
It incorporates an E sus chord, where you use your third finger across the A, D, G, and then go back to an E7.
So it goes:
(Play the E sus and E7 chords here)
Putting it all together, it sounds like this when played slowly:
(Play the whole segment together slowly)
The essential part of left hand damping is that you can practice any scale while ensuring you hit one note each time and dampen the others. For example:
I hope this lesson gave you some insight into left hand damping.
If you enjoyed this lesson and want to explore more techniques, pop over to musicgurus.com. There, you'll find plenty of interesting material to help make your guitar playing more engaging!

Ron Sayer is a guitarist's guitarist on the UK blues circuit and a mentor to players including Oli Brown and Sol Philcox. He has been nominated four times at the British Blues Awards - for the album 'Better Side', the single 'Don't Make Me Stay', and his co-writing on Oli Brown's 'Here I Am' - and has won Guitarist of the Year. In his courses he breaks down the phrasing, tone and feel behind electric blues lead playing. read more