Lesson 1 of 17ViolinIntermediate

Explanation and demonstration of exercise four

18:48
Simon demonstrates the fourth fundamental tone exercise 'the speed exercise'.

What's in the course

17 lessons (1h 15m) · 1 free
    • 01. Explanation and demonstration of exercise four

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      18:48

    • 02. Difference between the speed and pressure exercises

      6:56

    • 03. Evenness: Sustaining between stages

      Free lesson

      4:01

    • 04. Variation: Using less bow on exercise four

      0:26

Lesson transcript

Speed Exercise in Bowing Techniques

The speed exercise uses exactly the same divisions as the pressure exercise. But here, the bow moves fast or slow, instead of heavy or light. As you can hear, there's quite a difference. Let's look at it in detail.

Key Techniques

  • Fast Part of the Stroke:

    • Use more bow and very slightly more pressure.
  • Slow Part of the Stroke:

    • Use less bow and less pressure.

Tip: Keep the speed and pressure exercises as different from each other as possible. Use as little extra pressure as you can during the fast part of the stroke. Just enough to maintain good contact with the string. Float the bow along the string horizontally rather than digging in vertically.

Practice Suggestions

Let's try it again. Just a little more weight you need, don't you?

Rhythm Exercise

  • Feel the rhythm, Oliver:
    • It goes fast, slow, fast, slow:
      • Fast, Slow
      • Fast, Slow

That's very good.

Two in One Bow

  • Do two in one elbow:
    • Fast, Slow
    • Fast, Slow
    • Fast, Slow

Just a little heavier at the point. It's like a whipping motion.

Instructions:

  • You do that just at the moment when you're going: fast, slow.
  • But remember, it's the opposite of what you want.

Transition Practice

  • Coming back, now do three on the next down bow:
    • Fast, Fast
    • Dum, bum, bum, bum, bum, bum, bum, bum, bum, bum.

That's good. Now do four.

Caution:

  • Be careful when you change bow at the heel. There's a kerfuffle there.
    • Fast, Slow, Fast, Slow, Fast, Slow.

Well done!

Speed Patterns

  • Next set:
    • Fast, Slow, Fast, Slow.
  • Coming up is six at:
    • Bum, bum, bum, bum.

Count:

  • One, two... The feeling should be one of a long string, not a long string this way.

That's better.

Bow Division

  • Say "bow" this time.
  • Yes, but this seems too much like the pressure exercise to me.

Technique Reminder:

  • Just go along, along, along.
  • Start on the string, or from the air? You know, you're doing this.

Focus on Execution

Look at this: just that, and then go 4, 5.

  • Here's the middle:
    • You want 1, 2, 3, 4, 4, 5, 6.

That's it! Fast, Fast, Fast.

Increasing Difficulty

  • Now do 8:
    • 1, dum, bum, bum, bum, bum, bum, bum.
  • Yeah, go along, along, along, along, not down in, down in, down in.

Note:

  • Don't do it with your head either. That's better. Just the bow.

Instrument Practice

Can I borrow your instrument? What you want to do is get it ringing.

  • Listen to this:
    • Play little near the bridge.

Now, for fast, slow, fast, slow:

  • Little near the bridge, Olivia.

Reminder:

  • Don't nod while playing. Keep the violin still.

Chamber Music Tip

If you want to bring somebody in while playing chamber music, watch the scroll.

  • Technique:
    • Line it up with an object in front of you and try to keep it in exactly the same place.

Practice:

  • Fast, slow, fast, slow, fast, slow.

Down Bow Considerations

  • At the beginning of the down bow, your speed pattern should be fast, slow, right from the beginning.

  • There's still a moment on the down bow at the point. So:

    • Fast, slow, slow to the end.

Now slow. That's great!

Advanced Techniques

I'll show you something else here:

  • If you go fast, slow, stop. Do it like that.

Goal:

  • We want total purity; don't let it sound like "bong."

Joining Techniques

  • Now join it together.
    • You must stop the bow before you go the other way.

Final Note:

  • Ensure you're not going slow, fast, slow on the down bow.

Bow Control and Purity

  • Keep practicing to ensure a pure sound from the first note to the last.
  • Fast, slow, fast, slow, and be careful with your positioning near the bridge.

Summary of Key Points

  • It's essential to differentiate fast from slow.
  • Use all the bow:
    • "You pay for all the hair; you may as well use it all."

Make sure to play under your hand and play right to the point.

Final Practice Exercise:

  • Feel the pulse. It's fast, slow, and fast, slow.

Let's do it one more time, and I'll subdivide it for you:

  • Bom, bom, bom, ...

Exactly, Olivia! Can you make more difference between the fast and the slow?

Thank you!

  • Remember to play as close to the bridge as possible; keep the bow parallel.

That's it! Good progress.

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