Difference between the speed and pressure exercises

Simon Fischer
Simon Fischer

Lesson time: (6min 56sec)

Simon Fischer contrasts the two bow exercises: sinking the hair deep into the string for pressure, versus moving fast along the string for speed.

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This lesson is part of the course The Secrets of Tone Production Part 4: Final Fundamental Tone Exercises
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Lesson transcript:

Music Lesson: Bowing Techniques

The exercises do sound quite different from each other.

Differences in Exercises

  • Pressure Exercise:

    • Feel the contact of the hair with the string deep down into the string.
    • Use "Release," "Deep release," and then "Deep, deep, deep, deep" when there are many in the bow.
  • Speed Exercise:

    • The feeling is fast along the strings: slow, fast, slow and then fast, fast, fast, fast.
    • Rhythm:
      • Pressure exercise: heavy, light, evenly spaced.
      • Speed exercise: fast, slow, fast, slow.

Bow Application

  • Use a little more bow on the fast strokes.
  • Focus on differentiating between the pressure and speed exercises.
  • In the speed exercise, use as little extra pressure as possible.
  • Use "some" pressure in the fast part of the stroke, but only as much as necessary.
  • Avoid combining the two exercises.

Technique Practice

  • Aim to play to the ends of the bow, as close to the bridge as possible.
    • "Now get the sound resonating, make it go wide."
  • For the third exercise:
    • Go deeper in the string and fast, fast, fast, wide, wide.

Experimentation

  • Experiment with extremes to discover capabilities:
    • Observe variations in speed: fast, slow and fast, slow.
    • Even if it doesn't work, you learn for next time.

Further Instructions

  • Aiming for Weight:
    • Combine fast, slow rhythms. Sustaining the sound offers a better result.
    • Remember the pulse:
      • "Fast, slow, fast, slow."

Changing Direction

  • The most helpful technique in changing direction is to slow down in the last tiny bit of the bow.

  • Execute strokes as:

    • Fast, slow, stop (though you don't actually stop).
  • Maintain rhythm:

    • "Bum, bum, bum, bum, bum, bum, bum, bum, bum, bum."

Common Issues

  • Up Bow:

    • If the sound on the up bow lacks clarity:
      • "Not enough pressure" or "not enough weight."
    • Try two strokes with an emphasis on rhythm:
      • "Bump, bum, bum, bum, along, along."
  • Observe strokes:

    • The first fast stroke on the up bow may not have enough weight; also be aware of bow usage.
  • Conclude with:

    • "Slow down at the end of the bow."

About the instructor

Simon Fischer
Simon Fischer

Simon Fischer enjoys a distinguished and wide-ranging career as a performer, educator and recording artist. He has performed worldwide as a recitalist, and committed three Brahms Sonatas to record, a recording that received high praise in Gramophone Magazine. Simon is recognised as having a place amongst the world's elite teachers. He is a professor at the Guildhall School of Music, and has held positions at the Yehudi Menuhin School, Wells Cathedral School and the Purcell School, and for 15 years was a visiting professor at the Royal Scottish Academy of Music. Having studied in London with Yfrah Neaman, and in New York with Dorothy DeLay, Fischer's approach unites the best elements of the French, Russian and American violin traditions. Fischer's published work greatly influences the teaching of the violin. Having written for The Strad magazine since 1991, his monthly articles have attracted a worldwide following. Published by Edition Peters, his technique books Basics and Practice (translated into Korean, Italian and German), Scales and The Violin Lesson, and the DVD The Secrets of Tone Production (now available to stream via MusicGurus), have become standards on many continents. His book and DVD Warming Up was described by The Strad magazine as "23 pages of pure technical gold". In 2014 Simon Fischer was awarded the European String Teachers Association prize "In celebration of a lifetime contribution to String Teaching". In his four-part Secrets of Tone Production course, Simon guides you through getting to know your instrument and then working through his fundamental tone exercises step by step, so you can produce a richer, more controlled and more beautiful sound on the violin. read more

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17 lessons (1h 15m)
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