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Lesson time: (8min 40sec)
This lesson is part of the course Push the Envelope: Become a Pro on Ableton Push
Watch a preview of the full course below.
Lesson transcript:
Now we're going to do some real-time recording of beats. Since we already have a little beat, I think we could just record some extra sounds live.
If I didn't get the timing quite right, then what we can do is quantize it:
Press Quantize: Keep it pressed to check the settings.
If you don't want that, you can set it to smaller amounts to make it sound more human and less machine-like. You can add more swing if you want more groove.
For example:
It's also possible to quantize all the notes of one pad:
If it doesn't sound great, you might want to get rid of all the notes again with Delete and then the pad, as you may want to record something with repeat instead.
Before moving forward, let's explain one more thing about quantizing:
Now, let's get to repeat:
Enable Repeat: You can press it once to enable or hold it momentarily for short intervals.
Change the resolution to:
Control Velocity: Depending on how much pressure I put on the pad, I can increase or decrease the velocity as well.
If I like it, I can simply record it. However, I'll undo that again because I still have it set to triplets. I'll change it to 1/16 instead.
Now I've recorded it, and you can use the repeat function effectively for hi-hats or percussive sounds. You can see it all in the step sequencer and use it to take out notes again.
Undo Again: What I'll do instead is duplicate the clip first.
Cleanup: Let's press up to delete the notes we don't want and then press down again.
Now we already have two clips: one without the shaker and one with the shaker.
Alright, and now you know how to work in the drum layout.

Madeleine Bloom is a classically trained musician, producer, multi-instrumentalist and singer from Berlin, and founder of the label Quixotica Records. She studied electroacoustic music at the Franz Liszt Conservatory under Prof. Robin Minard, and brings those methods to her own blend of electronica pop. Her music has earned praise from producers Guy Sigsworth and Rupert Hine, and a personal invitation from Imogen Heap, whose tour she opened.A former Ableton technical support agent, she founded the online platform Sonic Bloom in 2012, where she teaches Ableton Live and music production through courses, workshops and one-to-one classes. She has helped people around the world with Ableton Live, Push and Max for Live, as well as audio engineering, music theory, composition and sound design. read more