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Lesson time: (3min 51sec)
This lesson is part of the course Guitar Method: Rock & Pop
Watch a preview of the full course below.
Lesson transcript:
In section two, we're looking at melody. Previously, we've explored riffs, which we now know to be short pieces of music, typically one bar long.
Here, we have a changing melody, with each bar being slightly different. We also introduce a D note. While we've played this previously in the course, you might not have realized it when we learned the names of the strings.
To recap, we had:
Feel free to come up with whatever works for you. The key is to remember the notes in order.
We've already played the D note, referred to as the donut string, which is the third string from the top. So, Eddie Ate Donuts corresponds to this note.
In this example, we're mixing up all the note values we've looked at so far:
We need to watch out for these and closely examine the stave as we progress through the exercise.
Four quarter notes: Nice and easy, played on the downbeat.
Counting: 1, 2, 3, 4
The challenge here is transitioning between three notes on two different strings:
In this bar, we introduce our new note D. While we only play two notes here, the note values vary significantly:
First half: Open D (downbeat on one, quarter note, one beat long) followed by a quarter note rest.
Sounding like: (with that silence)
Second half: A half note (two beats long).
When counting together, we have:
When counting, we should hear the word two with no noise coming from the guitar:
To combine these two bars, it will sound like this with the silence on beat two in the second bar.
In bar three, we have:
All these are quarter notes as well, finishing off with half notes (two beats long) on the same note G (third fret on the E string).
We'll slowly combine these four bars this time, emphasizing the details in the rhythms.
Let's try it together: 1, 2, 3, 4
Let's give it a go with the backing track!

Tommy Webb is a London-based guitarist who completed a BA(Hons) Degree in guitar at the Academy of Contemporary Music in Guildford, studying under Sandy Beales (One Direction, Wheatus) and Nicolas Meier (Jeff Beck). His own playing moves freely across rock, pop, indie, hip-hop, country and metal - the exact ground his guitar methods cover. Tommy has worked with a wide range of artists and bands across the country, including Jarki Monno and Indira May, sharing stages and sessions with guitarists Paul Murray (Jess Glynne, Zak Abel) and Adam Chetwood (Paolo Nutini, Mark Ronson), and drummers Alex Woodward (Black Honey), Luke Robinson and “Bambi Music” (N-Dubz, Lethal Bizzle, Wretch 32, Tinie Tempah). On stage, he has performed at the Jazz Cafe opening for soul singer Jocelyn Brown, plus venues and festivals including Ronnie Scott's, Troy Bar, The Watford Colosseum, Camden Assembly, Kensington Roof Gardens, Notting Hill Arts Club, Meraki Festival and Sundown Festival. On record and radio, Tommy has played live sessions for BBC Three Counties Introducing, Vibe FM and Pulse 88, with tracks featured on BBC Radio 1 and Radio 2. He has recorded at studios including South Lanes Brighton, Hempstead Road and Titan Studios with producers such as Steph Carter (Gallows, Lyoness) and TMS / Froe Barnes (Lewis Capaldi, Dua Lipa). In his guitar methods, Tommy passes all of that working-musician know-how on to you - teaching the techniques, tones and feel behind real styles, from rock and pop to indie, hip-hop, country and metal, so you can play the music you actually love. read more