Getting Creative With 8-To-The-Bar Basses
Lesson time: (5min 33sec)
Paddy Milner builds on the eighth-note (quaver) boogie bass, showing how to add groove and get creative with eight-to-the-bar left-hand patterns.
Course preview
This lesson is part of the course Play Authentic Boogie-Woogie Piano
Watch a preview of the full course below.
Lesson transcript:
Exploring Eighth Note Bass
Right, let's look at another approach to bass. There's this sort of eighth note bass, which is a nice one. It fits nicely under the fingers but covers a larger range, giving it a bit of groove.
Transitioning between Chords
- On the F when it gets to the G, another nice thing about this bass line is that it's easily transposed to A minor to give it that minor feel.
- On the D, when it goes to the E, you could actually use the major on that dominant chord, which, as you might well know, is the bass line used on Bumble Boogie.
Creating with Left Hand Patterns
So let's get creative with that left hand eight-to-the-bar pattern. One thing I do from time to time is use a bass that is based on these harmonies. That's C7, which I'll go into later on in other aspects.
- For example, this bass line outlines a C7 chord, and it's a fun little bass.
- There are millions of different patterns you could play with this kind of eight-to-the-bar feel.
Let's just have a go at something.
Funky Inspiration
You could do something like that! That was just off the top of my head, which essentially outlines a C harmony with a diminished feel going to the C. Sounds kind of funky, I quite like it!
Example from "Unsquared Dance"
Here's another idea in my version of "Unsquared Dance", which again kicks off with a sort of 8-to-the-bar feel, or rather a 7-to-the-bar feel because it is in 7/8.
- It does change to 4/4; let's look at it.
- When it goes to 4/4, there's a chromatic idea that outlines the A minor harmony.
Bass Line Variations
Here it is in 4/4, slightly different on the 5 chord.
- And here it is in 7/8.
Getting Creative
There are a few ideas for bass lines and getting creative with them. Don't feel limited by bass lines that you've heard before or that are commonly used.
After all, those bass lines didn't exist when those people wrote them. So get creative!
I'd love to hear your ideas.
About the instructor

Paddy Milner is recognised as one of the leading blues piano players in the world - he is currently keyboard player of choice for Sir Tom Jones, following several years with the late, great Jack Bruce - but he is also a superb original songwriter and a distinctive singer. Just read the praise from the likes of Dave Brubeck below! His playing was featured on the soundtrack for the hit 2019 film 'Rocketman'. He has twice won the award for Best Keyboard Player in the British Blues Awards, and he holds a long-standing residency as a founder member of the Ronnie Scott's Blues Explosion at the world-renowned Ronnie Scott's club. His current group LONDONOLA plays homegrown British music with a strong dose of New Orleans spirit, and his collaborative group JAWBONE goes from strength to strength following the release of their self-titled debut album. "I love it... there's a guy who can really play the piano" - Dave Brubeck "I highly recommend it. Somehow things start to feel much better!" - Jack Bruce "The best blues piano player in Europe..." - Blues Access, USA "Impressive & original" - The Times "Dazzling" - The Independent Across his courses, Paddy breaks down authentic blues shuffle, slow blues, boogie-woogie, rock 'n' roll and New Orleans piano - right down to three classic boogie-woogie songs - so you can learn these styles from one of the very best in the business. read more




