Lesson 10 of 24PianoIntermediate

Developing Your Own Basses - Rhythmic Ideas

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Paddy Milner shares rhythmic ideas for varying your boogie-woogie bass lines, from triplet walking basses to fresh rhythmic groupings.

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What's in the course

24 lessons (2h 1m) · 2 free
    • 01. Introducing Basses & Practice Tips

      1:06

    • 02. Building Boogie Basses

      Free lesson

      6:22

    • 03. Developing Basses Further

      10:17

    • 04. Minor Basses

      3:02

    • 05. Walking Basses

      7:05

    • 06. Getting Creative With 8-To-The-Bar Basses

      5:33

    • 07. Jimmy Yancey Style Latin Basses

      2:07

    • 08. Developing Your Own Basses - Rhythmic Ideas

      You are here

      6:04

    • 09. Developing Your Own Basses - Harmonic Ideas & Suitcase Blues Study

      8:08

Lesson transcript

Creative Rhythm Techniques for Bass Players

Exploring Unique Rhythms

Today, let's delve into some creative techniques you can apply to your bass rhythms. A great reference for this is the talented piano player, Joe Sullivan. He experimented with different timings in his walking bass lines. Here are some key points to consider:

  • Walking Bass Line: Start with a simple walking bass line, but introduce variations such as playing it as triplets.
  • Distinct Rhythmic Effect: This approach creates a unique and distinct rhythmic effect.

Here's an example of what this might sound like.

"It's quite a distinct rhythmic effect, which, if you want to explore, go for it."

Rhythm Groupings

Another rhythmic technique to explore is using different rhythmic groupings. Instead of sticking to a standard four beats, try incorporating patterns like these:

  • Traditional 4 Beat: 1, 2, 3, 4, 1
  • Pattern of Three Notes: 1, 2, 3, 4.

You can play around in 4/4 time, creating an interesting effect with phrases. For instance:

  • Transition Example:
    • 1, 2, 3, 4, 1
    • Movement between F and C.

This method results in a notable syncopation effect between the right and left hands, leading to captivating cross rhythms.

Advanced Rhythmic Exploration

Feel free to get experimental! You can even explore more complex time signatures, such as:

  • 7, 11, or 13: If you're feeling adventurous, try implementing these into your playing.

Example of 12/8 Rhythms

One example from my first record features a tune in a 12/8 feel, where the left hand plays in a pattern of four:

  • Left Hand: 1, 2, 3, 4
  • Triplets Concept: The tune might actually be in triplets: 1, 2, 3, 4, 1, 2, 3, 4.

When you layer triplets in both the right and left hands, it creates a unique sound:

  • Sound Example:
    • "1, 2, 3, 4"

Music as Exploration

You might wonder, "Why experiment with these techniques?" The answer is simple: music is meant to be explored!

  • Different Avenues: There are countless directions to take your music.
  • Live Situations: Consider bringing these ideas into live performances. Playing with a drummer? Try mixing a 12/8 groove with something grouped in two!

"This is part of the fun of music, to engage in these musical games with other musicians."

Conclusion

These are just a few creative ideas for enhancing your boogie left hand rhythms. Explore, experiment, and enjoy the process!

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Meet your guru

Paddy Milner

Paddy Milner

Paddy Milner is recognised as one of the leading blues piano players in the world - he is currently keyboard player of choice for Sir Tom Jones, following several years with the late, great Jack Bruce - but he is also a superb original songwriter and a distinctive singer. Just read the praise from the likes of Dave Brubeck below! His playing was featured on the soundtrack for the hit 2019 film 'Rocketman'.

He has twice won the award for Best Keyboard Player in the British Blues Awards, and he holds a long-standing residency as a founder member of the Ronnie Scott's Blues Explosion at the world-renowned Ronnie Scott's club.

His current group LONDONOLA plays homegrown British music with a strong dose of New Orleans spirit, and his collaborative group JAWBONE goes from strength to strength following the release of their self-titled debut album.

  • "I love it... there's a guy who can really play the piano" - Dave Brubeck
  • "I highly recommend it. Somehow things start to feel much better!" - Jack Bruce
  • "The best blues piano player in Europe..." - Blues Access, USA
  • "Impressive & original" - The Times
  • "Dazzling" - The Independent

Across his courses, Paddy breaks down authentic blues shuffle, slow blues, boogie-woogie, rock 'n' roll and New Orleans piano - right down to three classic boogie-woogie songs - so you can learn these styles from one of the very best in the business.

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