Fight No More: Introduction and rhythm guitar part

With
Scott McKeonWhat's in the course
34 lessons (1h 29m) · 2 free
01. Traditional Soloing with Call and Response
2:24

02. Solo Example 1 - BB King
0:52

03. Leaving Space
3:17

04. Solo Example 2 - Stevie Ray Vaughan (Rhythmic Chords)
0:54

05. Soloing Using Your Fingers
1:47

06. Solo Example 3 - Albert Collins
0:55

07. Combining Techniques
1:06

08. Solo Example 4 - Putting It All Together
0:56
Lesson transcript
Music Lesson: "Fight No More"
So we're going to look at a song of mine called Fight No More. This is a riff that I had in D flat. I'm going to show you the rhythm parts and the lead melody line in the verses. This track has a bit of a swinging 60s feel to it.
Influences and Drumming Style
- Jeremy Stacey on drums played in a big band, crazy sort of way.
It reminds me of Buddy Rich or something. - Rocco was doing a James Brown style bass line.
- Influences for this track include:
- John Schofield
- Robin Ford
- Jimmy
Main Rhythm Part
The song starts with what they call the Hendrix chord.
- You've got the open E with the B string playing the E as well.
- The progression goes like this:
- Start with F sharp
- Then E
- Move into the chorus playing an E major chord
(which always sounds kind of like Prince to me) - Followed by an F sharp major with the B and E string open
(which sounds really satisfying to me) - Finally, move to the A chord.
Chorus Example
So the whole of the chorus is like this:
E major → F sharp major → A
Melody Line
The part that's playing the melody over that I recorded with an auto wire in the studio, but today I'm just going to use a wild pedal.
- The melody is quite simple and just in D flat.
- It goes like this:
(insert melody here)
I'm playing a version of the Hendrix chord there, but up higher. I really like how it sounds.
- It's reminiscent of a John Schofield style, where it's just grooving.
- You can let the E and B string ring open a bit.
Chorus Melody
In the chorus, I'm doing sort of an A to F sharp change, kind of like old stacks, similar to a Steve Cropper style.
- The main melody is basically that kind of vibe.
- You can mix that up with a wa pedal and a bit of fuzz for a different sound.
Playing Tips
As you head into the chorus with the wild pedal, remember:
- It's important to think beyond just playing on the beat.
- You want to move into each note, catching it every time:
"You want to try and catch that each time."
Avoiding a rigid rhythm helps.
- You don't just want to be playing like:
"Like that the whole time."
Instead, aim for a more expressive sound. It can be worth spending some time with the wild pedal.
- It's relatively easy but can sound really cool if you catch it right on each note or chord.
34 lessons
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Meet your guru

Meet your guru
Scott McKeon has given a lifetime of dedication to his craft as a guitarist. Initially inspired by his dad's love of blues, soul and rock music, he took up the guitar at the age of four and has developed a reputation as one of the UK's most in-demand guitarists, both in the studio and performing live.
In 2014, Scott got a call to play in Sir Tom Jones' band, alongside Robbie McIntosh and Pink Floyd drummer Gary Wallis. The blues, rock 'n' roll and gospel-orientated set allows Scott to call on his early influences and travel the globe. Performances so far have included five European tours, three tours of the US and South America, and tours of Australia and the Far East, as well as TV appearances including Later... with Jools Holland and TFI Friday, and playing New Orleans Jazz Festival in 2019.
Scott's third album, 'New Morning', is an earthy, raw, guitar-led record showcasing his range and ability as a guitarist. The album was recorded live in the studio at RAK in London, capturing the energy and spontaneity of the sessions. It was produced by Paul Stacey (Black Crowes/Oasis), and features Jeremy Stacey (Sheryl Crow/Tal Wilkenfeld) on drums, Rocco Palladino (Tom Misch/D'Angelo) on bass, and Gavin Conder (Rufus Black/The Kondoors) as vocalist on several tracks.
Scott also has a signature fuzz pedal and signature pickups, modelled on his '62 Strat.
In his course, Scott shares the tone, phrasing and feel behind authentic Texas blues guitar, showing you how to dig into the style and make every note sing.






































