Lesson 3 of 34GuitarIntermediate

Acoustic Guitar - Lesson

4:09

Scott McKeon breaks down the Texas blues acoustic groove, from Jimmy Reed's open-A trick over the V chord to playing it with dynamics and feel.

Part of the coursePlay Authentic Texas Blues Guitar34 lessons (1h 29m)

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Scott McKeonYour guruScott McKeon

What's in the course

34 lessons (1h 29m) · 2 free
    • 01. Acoustic Guitar - Groove Demonstration

      1:11

    • 02. Acoustic Guitar - Lesson

      You are here

      4:09

    • 03. Acoustic Guitar - Authentic Tone & "Swag"

      2:10

    • 04. Acoustic Guitar - Classic Turnarounds (Lightnin' Hopkins)

      3:25

Lesson transcript

Understanding the V Chord in Blues

One of the interesting things with the V chord is that, rather than playing a B (which can be a bit of a stretch), Jimmy Reed used to play it with the open A.

  • So you have the open A over the V chord, which creates a slightly weird and atonal sound.
  • This technique is something every blues player likely adopted because Jimmy Reed did it.

If you listen to Eric Clapton, Freddie King, or Stevie Ray Vaughan, whenever they hit that V chord, especially in a Texas blues style, they often incorporate the open A string.

Dynamic Playing

The other aspect to consider is being dynamic within the riff itself. Instead of everything being uniform, you can introduce:

  • Accents
  • Dynamics

Adding Nuance

For example, you can incorporate:

  • A simple hammer-on on the first fret of the G string.
  • You can also catch the top E string there.
  • On the turnaround, try a straightforward slide up.
  • When sliding back down, remember to catch the notes again and give a little scrape upwards.

The great thing about this approach is focusing on making it groove.

  • It's about not trying to play too much, but being strong, dynamic, and truly feeling the pulse of the beat.
  • The essence of much of this style is that if you can play it on your own without a band, and still make it groove, you're on the right track.

Practice Techniques

When playing with a band and engaging in a shuffle, all those elements are crucial.

  • It's a simple concept, yet it can be quite challenging to master.
  • I often find myself practicing this and contemplating how to make it genuinely groove and sound authentic.

Old blues musicians had this quality built into their DNA. For example, in Stevie Ray Vaughan's "Pride and Joy," he essentially plays that same V chord but adds more rhythm in between each note.

To me, it sounds like someone walking, a somewhat lazy walk, on acoustic guitar, which is where this style initially emerged.

Conclusion

This is a solid starting point before we transition to the electric guitar, so focus on getting this down first.

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Meet your guru

Scott McKeon

Scott McKeon

Scott McKeon has given a lifetime of dedication to his craft as a guitarist. Initially inspired by his dad's love of blues, soul and rock music, he took up the guitar at the age of four and has developed a reputation as one of the UK's most in-demand guitarists, both in the studio and performing live.

In 2014, Scott got a call to play in Sir Tom Jones' band, alongside Robbie McIntosh and Pink Floyd drummer Gary Wallis. The blues, rock 'n' roll and gospel-orientated set allows Scott to call on his early influences and travel the globe. Performances so far have included five European tours, three tours of the US and South America, and tours of Australia and the Far East, as well as TV appearances including Later... with Jools Holland and TFI Friday, and playing New Orleans Jazz Festival in 2019.

Scott's third album, 'New Morning', is an earthy, raw, guitar-led record showcasing his range and ability as a guitarist. The album was recorded live in the studio at RAK in London, capturing the energy and spontaneity of the sessions. It was produced by Paul Stacey (Black Crowes/Oasis), and features Jeremy Stacey (Sheryl Crow/Tal Wilkenfeld) on drums, Rocco Palladino (Tom Misch/D'Angelo) on bass, and Gavin Conder (Rufus Black/The Kondoors) as vocalist on several tracks.

Scott also has a signature fuzz pedal and signature pickups, modelled on his '62 Strat.

In his course, Scott shares the tone, phrasing and feel behind authentic Texas blues guitar, showing you how to dig into the style and make every note sing.

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