Electric Guitar - Lesson
Lesson time: (4min 10sec)
Scott McKeon works on dynamics and Stevie Ray Vaughan-style aggression, and how to fill space when you're the only guitar in a trio.
Course preview
This lesson is part of the course Play Authentic Texas Blues Guitar
Watch a preview of the full course below.
Lesson transcript:
Music Lesson: Aggressive Guitar Playing Techniques
There I was, kind of dampening the strings quite a lot, so you get that kind of short attack. But you can just as easily play it more openly, which gives it a lot more aggression in terms of feel.
Stevie Ray Vaughan's Impact
Stevie Ray Vaughan kind of took that even further. He hit all the strings at once, resulting in a very rhythmical, sort of percussive sound. Its roots trace back to:
- Jimmy Reed
- Lightning Hopkins
- John Lee Hooker
He amplified these influences and made them slightly more aggressive. For instance, he would play things like:
Note: Example riffs here if applicable.
This style takes it up a notch from what we were doing on the acoustic guitar. It's still all the same ingredients, but it creates a feeling of more space when you add the extra components in the middle.
Playing in a Trio
I think partly Stevie did that because, when playing in a trio, he was the only one holding down any rhythm. This is slightly different if you're with a bigger band, but in a trio setting, it fills a lot of space and frequencies.
You can really trace that back to John Lee Hooker. It's the same idea, playing the beat and the bass line all on one guitar.
Key Technique: Picking Out Notes
One thing to bear in mind when playing this kind of stuff is the ability to:
- Hit all the strings at once
- Pick out one single note
Although it might seem aggressive, it's quite intricate to execute. You need to:
- Be able to scrape all the strings to get that full, meaty sound,
- Block off the other strings as you play.
I don't really think about it too much now, but wherever you are on the neck, you should practice picking out a string.
Riff Example
Without the percussive elements, your riff sounds like this:
Basic riff notation here if applicable.
But with those elements, you can incorporate all the extra nuances:
Enhanced riff notation here if applicable.
So, it's worth spending some time practicing the technique of picking out individual notes!
About the instructor

Scott McKeon has given a lifetime of dedication to his craft as a guitarist. Initially inspired by his dad's love of blues, soul and rock music, he took up the guitar at the age of four and has developed a reputation as one of the UK's most in-demand guitarists, both in the studio and performing live. In 2014, Scott got a call to play in Sir Tom Jones' band, alongside Robbie McIntosh and Pink Floyd drummer Gary Wallis. The blues, rock 'n' roll and gospel-orientated set allows Scott to call on his early influences and travel the globe. Performances so far have included five European tours, three tours of the US and South America, and tours of Australia and the Far East, as well as TV appearances including Later... with Jools Holland and TFI Friday, and playing New Orleans Jazz Festival in 2019. Scott's third album, 'New Morning', is an earthy, raw, guitar-led record showcasing his range and ability as a guitarist. The album was recorded live in the studio at RAK in London, capturing the energy and spontaneity of the sessions. It was produced by Paul Stacey (Black Crowes/Oasis), and features Jeremy Stacey (Sheryl Crow/Tal Wilkenfeld) on drums, Rocco Palladino (Tom Misch/D'Angelo) on bass, and Gavin Conder (Rufus Black/The Kondoors) as vocalist on several tracks. Scott also has a signature fuzz pedal and signature pickups, modelled on his '62 Strat. In his course, Scott shares the tone, phrasing and feel behind authentic Texas blues guitar, showing you how to dig into the style and make every note sing. read more




