Free lessonLesson 2 of 23TromboneBeginner

Basic precautions to take with your new trombone

0:50
In this lesson, Liam points out a few things to watch out for with your new trombone - how to care for it and not damage it.
Part of the coursepBone Stripes23 lessons (0h 33m)

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Liam KirkmanYour guruLiam Kirkman

What's in the course

23 lessons (0h 33m) · 9 free
    • 01. How to assemble the pBone trombone

      Free lesson

      1:18

    • 02. Basic precautions to take with your new trombone

      You are here

      0:50

    • 03. How to take apart your pBone

      Free lesson

      1:00

    • 04. Learn posture and how to hold your trombone

      Free lesson

      0:52

    • 05. Learn how to hold the trombone slide

      Free lesson

      0:29

    • 06. Breathing in trombone playing

      Free lesson

      0:51

    • 07. Play your first note!

      Free lesson

      1:22

    • 08. Practice buzzing on the mouthpiece

      Free lesson

      0:58

    • 09. Practice playing long notes on the trombone

      Free lesson

      1:09

Lesson transcript

Music Lesson: Handling the Trombone

As you can see, I'm using the peabone, and luckily for me, these are very difficult to damage.

However, on a regular brass trombone, there are a couple of danger zones I'd like to mention:

  • Connecting the Slide and Bell:

    • When we put the slide and the bell together, you can see how close the bell is to the slide.
    • On a brass trombone, that area can easily get dented, so be very careful when you put the bell on the slide.
  • Inserting the Mouthpiece:

    • When we put the mouthpiece in the instrument, we never knock it or bash it.
    • It goes in the hole with a small twist, and we're done.

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Liam Kirkman

Liam Kirkman

Liam Kirkman is a trombonist who trained at the Royal Northern College of Music and the Guildhall School of Music and Drama. Over more than 20 years as a player he has worked across an unusually wide range of music, from Radiohead, Michael Bublé, Lady Gaga and the John Wilson Orchestra to English National Ballet, and he has played on numerous film scores and TV soundtracks. A past President of the British Trombone Society, he has taught students at the Royal Academy of Music, the Royal College of Music and Trinity Laban, as well as young players taking their first steps on brass. He believes in staying versatile and keeping an open mind to every kind of music making - the approach he says keeps playing both challenging and rewarding.

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