Let's move the slide
With
Liam KirkmanLiam Kirkman shows you how to move the trombone slide smoothly out and in, and how the slide position changes the pitch.
What's in the course
23 lessons (0h 33m) · 9 free
01. How to assemble the pBone trombone
Free lesson1:18
02. Basic precautions to take with your new trombone
Free lesson0:50
03. How to take apart your pBone
Free lesson1:00
04. Learn posture and how to hold your trombone
Free lesson0:52
05. Learn how to hold the trombone slide
Free lesson0:29
06. Breathing in trombone playing
Free lesson0:51
07. Play your first note!
Free lesson1:22
08. Practice buzzing on the mouthpiece
Free lesson0:58
09. Practice playing long notes on the trombone
Free lesson1:09
Lesson transcript
Stripe 3: Moving the Slide on the Trombone
Hi, welcome to Stripe 3!
The time has finally come for us to move the slide on the trombone. Let's go over a few things we've learned already.
Holding the Trombone Correctly
- Unlock the Slide: Make sure the slide is unlocked.
- Grip: Use two fingers and your thumb to hold it.
- Positioning: Bring the trombone up.
Moving the Slide
- Smooth Movement: See if you can move the slide smoothly out and back in without moving the trombone around.
Pitch Variations
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Remember: There are high, medium, and low pitches.
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Sound Check:
- With the slide all the way in, the pitches sound like this.
- As we move the slide further out, those pitches go down in pitch.
Let's learn some of those pitches on the trombone!
23 lessons
0h 33m of structured video lessons
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Meet your guru
Meet your guru
Liam Kirkman is a trombonist who trained at the Royal Northern College of Music and the Guildhall School of Music and Drama. Over more than 20 years as a player he has worked across an unusually wide range of music, from Radiohead, Michael Bublé, Lady Gaga and the John Wilson Orchestra to English National Ballet, and he has played on numerous film scores and TV soundtracks. A past President of the British Trombone Society, he has taught students at the Royal Academy of Music, the Royal College of Music and Trinity Laban, as well as young players taking their first steps on brass. He believes in staying versatile and keeping an open mind to every kind of music making - the approach he says keeps playing both challenging and rewarding.
