Learn posture and how to hold your trombone
With
Liam Kirkman
What's in the course
23 lessons (0h 33m) · 9 free
01. How to assemble the pBone trombone
Free lesson1:18
02. Basic precautions to take with your new trombone
Free lesson0:50
03. How to take apart your pBone
Free lesson1:00
04. Learn posture and how to hold your trombone
You are here0:52
05. Learn how to hold the trombone slide
Free lesson0:29
06. Breathing in trombone playing
Free lesson0:51
07. Play your first note!
Free lesson1:22
08. Practice buzzing on the mouthpiece
Free lesson0:58
09. Practice playing long notes on the trombone
Free lesson1:09
Lesson transcript
How to Hold the Trombone Properly
And now we're going to talk about how to hold the trombone properly. It's important that we carry ourselves properly, and the word to describe this is posture.
Posture Tips
- Feet: Stand with your feet shoulder-width apart.
- Head: Keep your head up straight.
- Eyes: Look straight ahead.
- Relaxation: Stay nice and relaxed.
Holding the Trombone
Now, let's learn how to hold the trombone:
- Left Hand: Take your left hand and give a thumbs up.
- Step Back: Take a step back.
- Positioning:
- The thumb goes here.
- The fingers go through here.
- Slide Lock: Check that the slide lock is still on.
And now we're holding the trombone!
23 lessons
0h 33m of structured video lessons
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Meet your guru
Meet your guru
Liam Kirkman is a trombonist who trained at the Royal Northern College of Music and the Guildhall School of Music and Drama. Over more than 20 years as a player he has worked across an unusually wide range of music, from Radiohead, Michael Bublé, Lady Gaga and the John Wilson Orchestra to English National Ballet, and he has played on numerous film scores and TV soundtracks. A past President of the British Trombone Society, he has taught students at the Royal Academy of Music, the Royal College of Music and Trinity Laban, as well as young players taking their first steps on brass. He believes in staying versatile and keeping an open mind to every kind of music making - the approach he says keeps playing both challenging and rewarding.
