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Lesson time: (5min 53sec)
This lesson is part of the course My First Drum Lesson
Watch a preview of the full course below.
Lesson transcript:
Welcome back!
Lovely to see you again. Today, we're going to learn one more rudiment.
We've already covered:
Both are reasonably simple to learn but hard to master.
The third rudiment we're going to learn is called a paradiddle. It's a mixture of both single and double strokes. Here's how it breaks down:
So, one more time:
What I find quite useful is to put one hand on a different surface, whether it's the floor tom, rack tom, hi-hat, or anything else. This way, you can hear how the sticking works.
If I play it on the snare drum correctly, it might sound like this:
"Bum, bum, bum."
However, it's good to practice on the snare because it's very clear and obvious if you're getting it right rhythmically.
But when you put your right hand on the floor tom, you hear a kind of melody, making it a bit easier to learn. Maybe I'm wrong, but give it a go!
Like the other two rudiments, we'll learn the paradiddle first as crotchets, then quavers, and finally semiquavers.
Crotchets:
Hi-hat on all the crotchets.
Count:
1, 2, 3, 4.
Count again:
1, 2, 3, 4.
2, 2, 3, 4.
Notice that when we play the paradiddle, a right-handed paradiddle sounds like:
It takes two bars to resolve (twice as long). Just keep an eye on this!
1, 2, 3, 4.
2, 2, 3, 4.
Now let's try it with quavers. The challenging part is remembering which side you're playing when the beat changes.
Now let's try semiquavers. Begin dead slow to ensure you get the coordination right.
"I think that sounds quite cool, actually!"
We're going to use that as our fill on beat four of our quaver.
Again, let's take it dead slow and aim for accuracy. Playing something simple and slow can still sound really, really good.
At the end of this lesson, we now have three rudiments together:
And we've used them all in fills.
Thanks very much for watching, and I'll see you again soon!

Harry Pope is a London drummer and a graduate of the jazz programme at Trinity College of Music. He has played with Brit Award winner Eddi Reader, guitarist Jim Mullen, Graeme Duffin of Wet Wet Wet, and the Royal Scottish National Orchestra Big Band. His beginner course starts from the kit up - posture, grip, timekeeping and your first grooves - at a pace that suits anyone picking up sticks for the first time. read more