Lesson 10 of 35PianoIntermediate

Next break

4:25

Paddy Milner walks through the next break in the boogie-woogie tune 'Dive Bomber', with loose-wristed phrasing and Pete Johnson-style seventh-to-sixth moves in the left hand.

Part of the courseLearn Three Classic Boogie-Woogie Songs35 lessons (2h 23m)

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Paddy MilnerYour guruPaddy Milner

What's in the course

35 lessons (2h 23m) · 1 free
    • 01. Dive Bomber (Pete Johnson) - piano performance by Paddy Milner

      3:00

    • 02. Intro to the piece

      Free lesson

      5:30

    • 03. First chorus

      6:09

    • 04. Second chorus

      1:49

    • 05. Next section

      2:36

    • 06. Turnaround

      0:49

    • 07. First break

      4:17

    • 08. Single note line

      2:26

    • 09. Next chorus

      2:43

    • 10. Next break

      You are here

      4:25

    • 11. Next chorus

      5:15

    • 12. Chord IV riff

      2:04

    • 13. High section

      8:24

    • 14. Last chorus

      5:00

Lesson transcript

Music Lesson: Exploring New Breaks and Harmonies

And then we're into the next break. This one is slightly different and can be quite hard to do at tempo, so be sure to build up to it.

Tips for Flexibility

  • Nice, flexible wrists: They've got to be loose.
  • The looser you are, the less tension you create in your body.
  • Your upper arm, forearms, and wrists should be as loose as possible.

Left Hand and Harmonies

I've transcribed this as just the left hand playing a seventh and then moving to the sixth, followed by the seventh with the right hand.

  • There could be some slightly thicker harmonies in there.
  • You could extend it as well.
    • For example, you could play something like this:
      • Very Pete Johnson.
    • Or you could extend it down through those harmonies.
    • You could even go up.

There are lots of options for you to explore. Remember, Pete Johnson chooses to stick with those variations.

Chorus Exploration

Now we're into this next part of the chorus, which is kind of cool.

  • I like that last bit at the end where he repeats it on a different note of the bar.
  • That's something you can play around with, too.

Trying 12 Bar

Let's try 12 Bar using that idea:

1, 2, 1, 2, 3.

You know, you could do something a little bit like that.

That was just what came out that time.

Cool Figure on Chord Five

And then he plays this really cool little figure on the chord five of this chorus.

  • I think that's all really cool.
  • It just sort of elaborates on that idea.
  • Try using some descending thirds; you could play around with it and create something a little bit like that.

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Meet your guru

Paddy Milner

Paddy Milner

Paddy Milner is recognised as one of the leading blues piano players in the world - he is currently keyboard player of choice for Sir Tom Jones, following several years with the late, great Jack Bruce - but he is also a superb original songwriter and a distinctive singer. Just read the praise from the likes of Dave Brubeck below! His playing was featured on the soundtrack for the hit 2019 film 'Rocketman'.

He has twice won the award for Best Keyboard Player in the British Blues Awards, and he holds a long-standing residency as a founder member of the Ronnie Scott's Blues Explosion at the world-renowned Ronnie Scott's club.

His current group LONDONOLA plays homegrown British music with a strong dose of New Orleans spirit, and his collaborative group JAWBONE goes from strength to strength following the release of their self-titled debut album.

  • "I love it... there's a guy who can really play the piano" - Dave Brubeck
  • "I highly recommend it. Somehow things start to feel much better!" - Jack Bruce
  • "The best blues piano player in Europe..." - Blues Access, USA
  • "Impressive & original" - The Times
  • "Dazzling" - The Independent

Across his courses, Paddy breaks down authentic blues shuffle, slow blues, boogie-woogie, rock 'n' roll and New Orleans piano - right down to three classic boogie-woogie songs - so you can learn these styles from one of the very best in the business.

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