Lesson 17 of 35PianoIntermediate

Left Hand - The Engine

4:03

Paddy Milner breaks down the driving left-hand 'engine' of Meade Lux Lewis's 'Honky Tonk Train Blues' - the boogie pattern in G that powers the whole tune.

Part of the courseLearn Three Classic Boogie-Woogie Songs35 lessons (2h 23m)

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What's in the course

35 lessons (2h 23m) · 1 free
    • 01. Honky Tonk Train Blues (Meade Lux Lewis) - piano performance by Paddy Milner

      3:01

    • 02. The Intro - All Aboard!

      2:56

    • 03. Left Hand - The Engine

      You are here

      4:03

    • 04. First chorus and turnaround

      8:11

    • 05. Second chorus - 3 2 Polyrythm

      1:54

    • 06. Third chorus - Train whistle trill

      4:44

    • 07. Fourth chorus - Repeated triplets

      2:56

    • 08. Sixth chorus - Em G6 harmony

      7:03

    • 09. Seventh chorus

      2:33

    • 10. Eighth chorus

      2:51

    • 11. Last chorus ending - Coming into the station

      2:28

Lesson transcript

Understanding the Left Hand

So, let's look at that left hand. This is, you know, the most important thing in this tune, and it's a tough one.

The Feel of the Tune

  • The whole tune is kind of played with a dotted feel.
  • Milux Lewis plays everything pretty accurate; he really nails the riffs he's doing.
  • It's all very purposeful and intentional, creating that big sound.

Listening Tips

If you really listen to the recording and slow it down, something I recommend doing when transcribing difficult sections, you'll notice that he doesn't always play those notes together. There are points where he alternates, creating a dynamic feel.

  • Main Feel: It has that constant driving sort of eighths.
  • Variations: There are different weights to how he's playing it, making it good to aim for throughout the piece. However, as you'll find out, that is really tough.

Chord Structure

These are the notes anyway:

  1. On the Chord 1, we're in the key of G, which is slightly unconventional.

    • It's going between the tonic and the dominant (the 1 and the 5).
    • It also has the fifth at the bottom of the voicing, which is quite unusual since most boogies generally have the root at the bottom.
  2. When you go to the Four Chord (C), remember we're still in the key of G.

    • It also has that fifth at the bottom.
  3. The only one that's different is the Chord 5, which is kind of in root position.

Practicing the Left Hand

This left hand is difficult mainly because of the stamina you need to get through the whole tune.

  • Practice Strategy: Start at a slower tempo, practicing through the entire 12-bar sequence until it feels comfortable under your fingers.
  • Duration: Keep going around it for 5 minutes, 10 minutes, or even half an hour, until your muscle memory is solid.

Maintaining Flexibility

  • Try and keep your wrist as flexible as possible.
  • Avoid using your whole arm and back, as this can make it tough to maintain momentum.

Good luck with that left hand; you're going to need it!

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Paddy Milner

Paddy Milner

Paddy Milner is recognised as one of the leading blues piano players in the world - he is currently keyboard player of choice for Sir Tom Jones, following several years with the late, great Jack Bruce - but he is also a superb original songwriter and a distinctive singer. Just read the praise from the likes of Dave Brubeck below! His playing was featured on the soundtrack for the hit 2019 film 'Rocketman'.

He has twice won the award for Best Keyboard Player in the British Blues Awards, and he holds a long-standing residency as a founder member of the Ronnie Scott's Blues Explosion at the world-renowned Ronnie Scott's club.

His current group LONDONOLA plays homegrown British music with a strong dose of New Orleans spirit, and his collaborative group JAWBONE goes from strength to strength following the release of their self-titled debut album.

  • "I love it... there's a guy who can really play the piano" - Dave Brubeck
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  • "Dazzling" - The Independent

Across his courses, Paddy breaks down authentic blues shuffle, slow blues, boogie-woogie, rock 'n' roll and New Orleans piano - right down to three classic boogie-woogie songs - so you can learn these styles from one of the very best in the business.

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