Tercer chorus - Trino de silbato de tren

Lesson: Exploring Musical Contrasts

So, yes, look at this next section, which is kind of contrasting to the previous chorus. The previous chorus had these elements that sound mechanical, like a piston sort of pumping away underneath the engine while the engine is chugging along.

This section, however, features:

• The sound of steam whistling out of the funnel of the engine
• The nice trill of a train whistle

I'm using my fingers here. Sometimes, I play it with a little grace note from the A. I'm not sure if Meade Lux Lewis does that, but there's a little grace note that adds a nice touch.

Technique Tips

• Flexible Hand: Keep that wrist nice and loose.
• Arm Position: Allow your arm and forearm to stay relaxed and loose.
• Chord Construction: We're outlining a C chord here, with a crunchy E flat in there, which is kind of hip.

This combination adds a bit of "nastiness" to the sound before we transition back into the turnaround.

Explore New Ideas

Consider experimenting with some of these ideas in that chorus:

• Change the inversion: Using a different inversion can create a fresh sound.
• Utilize open sixths: This could sound bigger and offer a different idea.
• Alter the registers: This is another avenue for creativity.

Rhythm and Chord Variations

You could also change the rhythm. For example:

• Turn it into a full triad
• Experiment with other inversions

Feel free to explore and get creative. Even though Meade Lux Lewis incorporates many of the same ideas in his well-known recording of Honky Tonk Train Blues, he also introduces new concepts and expresses familiar ideas in different ways.

Much of it is improvised, it's his version in that moment, in that studio, on that day. So, don't be afraid to make it your own!