Lesson 7 of 35PianoIntermediate

First break

4:17

Paddy Milner teaches the first break of 'Dive Bomber', a classic Pete Johnson lick built on octaves moving through C, C diminished and C7.

Part of the courseLearn Three Classic Boogie-Woogie Songs35 lessons (2h 23m)

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Paddy MilnerYour guruPaddy Milner

What's in the course

35 lessons (2h 23m) · 1 free
    • 01. Dive Bomber (Pete Johnson) - piano performance by Paddy Milner

      3:00

    • 02. Intro to the piece

      Free lesson

      5:30

    • 03. First chorus

      6:09

    • 04. Second chorus

      1:49

    • 05. Next section

      2:36

    • 06. Turnaround

      0:49

    • 07. First break

      You are here

      4:17

    • 08. Single note line

      2:26

    • 09. Next chorus

      2:43

    • 10. Next break

      4:25

    • 11. Next chorus

      5:15

    • 12. Chord IV riff

      2:04

    • 13. High section

      8:24

    • 14. Last chorus

      5:00

Lesson transcript

Music Lesson: Exploring a Classic Boogie Break

Introduction

So let's look at this first break.

  • It's a killer break. It's really cool.
  • Pretty tough to play at speed, so definitely practice at a lower tempo.

The Break

So, we're going into it. Here we go!

Then we're on into the 12-bar section.

  • This is a classic boogie break, very Pete Johnson with those octaves into a basic C harmony.
  • It transitions to a C diminished harmony and then essentially a C7, but just with some of the notes missing.

Now, that's what I could make out from the recording. It might be that he's voicing it with slightly fuller voicings, it's difficult to tell. Although I don't hear that seventh in that first chord.

  • Maybe there's a tonic in it.
  • Ultimately, it doesn't really matter the exact voicing.

Variations on Harmony

There are all sorts of variations on this harmony. You might want to go for:

  • That kind of thing, or
  • You know, to that kind of thing.

In this recording, it's just between those variations.

Chord Four Transition

Now we're into chord four, and we've got that idea again that he used on the previous chorus. It includes:

  • Those nice single note lines in there.

So, it's all about getting the hand position right.

Little Ideas for Variation

There's another variation of that. This is a really nice little idea that you can use to play around. You can:

  • Start it on different accents
  • Or different points in the bar to create a disorienting feel with the line and then bring it back.

So let's have a go with those kind of things.

Conclusion

Have a play around with that. It can sound really cool. Give that a go!

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Meet your guru

Paddy Milner

Paddy Milner

Paddy Milner is recognised as one of the leading blues piano players in the world - he is currently keyboard player of choice for Sir Tom Jones, following several years with the late, great Jack Bruce - but he is also a superb original songwriter and a distinctive singer. Just read the praise from the likes of Dave Brubeck below! His playing was featured on the soundtrack for the hit 2019 film 'Rocketman'.

He has twice won the award for Best Keyboard Player in the British Blues Awards, and he holds a long-standing residency as a founder member of the Ronnie Scott's Blues Explosion at the world-renowned Ronnie Scott's club.

His current group LONDONOLA plays homegrown British music with a strong dose of New Orleans spirit, and his collaborative group JAWBONE goes from strength to strength following the release of their self-titled debut album.

  • "I love it... there's a guy who can really play the piano" - Dave Brubeck
  • "I highly recommend it. Somehow things start to feel much better!" - Jack Bruce
  • "The best blues piano player in Europe..." - Blues Access, USA
  • "Impressive & original" - The Times
  • "Dazzling" - The Independent

Across his courses, Paddy breaks down authentic blues shuffle, slow blues, boogie-woogie, rock 'n' roll and New Orleans piano - right down to three classic boogie-woogie songs - so you can learn these styles from one of the very best in the business.

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