Finding conflict
Lesson time: (3min 14sec)
Rachel Lynes explains why every song needs conflict - a choice between two paths - and how finding that tension gives your performance its reason and its truth.
Course preview
This lesson is part of the course Learn Musical Theatre Singing with a West End Vocal Coach
Watch a preview of the full course below.
Lesson transcript:
The Importance of Conflict in Songwriting
I want to ask you: Why is it so important to acknowledge the conflict in any song?
What does that mean?
There has to be conflict in a song; otherwise, there's no point in singing it because you already know the answer.
Understanding Conflict
So, conflict is essentially being stuck between two choices:
- Do I do this?
- Do I do that?
The song serves as the vehicle for getting to the answer or, at least, for trying to find it. That conflict will give reason to your song and help you discover your truth, your authentic self.
Analyzing Songs for Conflict
Let's look at some of the songs we've explored during this course and identify what the conflict could be. Then, I want you to take your own song, grab pen and paper, and start to decide what the conflict might be and how it can help your songwriting.
Example 1: Defying Gravity
The first song we started off with was Defying Gravity.
This song presents a great conflict:
- Am I going to fly?
- Am I going to fall?
Imagine singing it while standing on the edge of a precipice. Are you going to run back to your old life, or are you going to open your wings and fly?
This push and pull can significantly elevate the song's emotional impact.
Raising the Stakes
What's even cooler about conflict is if you can turn up the volume on both of those questions:
- Am I going to soar and fly high into the air?
- Am I going to fall back and disappear into my old life?
By raising the stakes, we create more tension and depth, which we'll discuss in this lesson regarding stakes and conflict.
Example 2: Worse Things We Can Do
Another song we examined was Worse Things We Can Do from Grease.
Rizzo's conflict revolves around the choices she faces. Think about what that is! She expresses that there are worse things she could do than go with a boy, even if the neighbors think she's trashy and no good.
Her Choices
She contemplates:
- She could stay home every night waiting for Mr. Right,
- or take cold showers and wish her life away,
- or she could pursue her desires.
This is her conflict: the struggle between various life choices. She realizes that she could either wait around or hurt someone else, but she's determined to walk her own path, contemplating multiple options.
Finding Your Own Conflict
So, have a think about your song.
- What is your conflict?
Once you've found your conflict, there might be two different conflicts to explore. You can try both and up your stakes to intensify the struggle.
Let's find those conflicts and elevate your songwriting!
About the instructor

Rachel Lynes works with singers ranging from recording artists to West End performers. She has been studying the voice for over 20 years, with a particular emphasis on the connection between singing, mental health and well-being. As a performer, she spent 10 years playing leading roles in the West End and internationally, working with everyone from Andrew Lloyd Webber to Tony and Olivier award-winning creatives. Fondly named "the voice whisperer" by the singers she works with, Rachel's approach is rigorously technical yet accessible, combining the science with the heart. She is also the founder and coach at the Sing Space, a global online studio open to singers of all levels and home to the world's first Vocal Gym™, offering group classes, one-to-one singing classes, and exclusive opportunities to perform in front of some of the industry's leading creatives, including casting directors, directors, producers and West End stars. In her MusicGurus course, Rachel brings that same technical-yet-human method to musical theatre singing, coaching you through the very techniques she uses with West End performers. read more




