Slides

With
Joe GlossopWhat's in the course
45 lessons (3h 0m) · 1 free
01. Performance: 'Green Onions' Booker T
3:01

02. Tones: 'Green Onions' Booker T
3:08

03. Playing the tune: 'Green Onions' Booker T
8:21

04. Lead lines: 'Green Onions' Booker T
4:43

05. Bassline: 'Green Onions' Booker T
2:01

06. Performance: Jimmy McGriff - All About My Girl
3:43

07. Keyboard view performance: Jimmy McGriff - All About My Girl
3:43

08. Tones: 'All About My Girl' - Jimmy McGriff
4:01

09. Intro: 'All About My Girl' - Jimmy McGriff
2:10

10. Playing the head: 'All About My Girl' - Jimmy McGriff
2:58

11. Bassline: 'All About My Girl' - Jimmy McGriff
1:52

12. Ending: 'All About My Girl' - Jimmy McGriff
1:51

13. Improvisation and comping: 'All About My Girl' - Jimmy McGriff
4:38

01. A Change is Gonna Come' - Sam Cooke
7:46

02. Keyboard View: 'A Change is Gonna Come' - Sam Cooke
1:20

03. La La means I love you' - Booker T
5:39

04. Keyboard view: 'La La means I love you' - Booker T
2:25

05. Groovin' Booker T & the MGs
4:57

06. Keyboard view: 'Groovin' ' - Booker T & the MGs
1:15

07. Time is Tight' - Booker T & the MGs
5:31

08. Keyboard view: 'Time is Tight' - Booker T & the MGs
1:39

09. 'The Girl from Ipanema' - Antonio Carlos Jobim
6:17

10. Keyboard view: 'The Girl from Ipanema' - Antonio Carlos Jobim
2:36

11. Blues based on 'Blue Bash' - Jimmy Smith
7:59

12. Keyboard view: Blues based on 'Blue Bash' - Jimmy Smith
3:24

13. Walk on the Wild Side' M series jam - Jimmy Smith
6:44
Lesson transcript
Music Lesson: Two-Handed Techniques and Hammond Moments
When you're just kind of sliding up and catching some in, you may do it with two hands. If you're not holding down a bass line, something like a full sound, there are a lot of those two-handed, percussive techniques that are used.
Key Points:
-
Appearance vs. Reality:
- It looks like more than it is; it's really just a lot of that kind of technique used again in context.
-
One-Handed Techniques:
- You can do a kind of one-handed version of those techniques even if you are holding down a bass line.
- All you need to do is hit the first couple of contacts, and at speed, it sounds like you're actually playing chords all the way up sometimes, particularly with a bigger sound.
Glissando
- There's a great version of "Why I Showed a Pale" that Billy Preston plays on with King Curtis.
- There's a solo section that goes something along the lines of:
- "It's very thin but quite densely voiced."
- It changes the setting quite a lot as he goes on, which is very cool.
- There's a solo section that goes something along the lines of:
Gospel Influences
Using techniques at number eight is a way to create a big, impactful sound.
- It's particularly good in gospel music because of the big sweeps involved.
- There are many things that aren't gimmicks but can be thrown in as purely Hammond moments and interspersed into your playing.
Summary
Incorporating these techniques into your playing enhances your sound and adds depth to your performances.
45 lessons
3h 0m of structured video lessons
Advanced video features
Slow down, loop a passage, follow along
Mobile, tablet & desktop
Practise wherever you are
100% satisfaction guarantee
30-day money-back guarantee
Meet your guru

Meet your guru
Joe Glossop is a keyboard player from Sheffield who has made his name on the Hammond organ. He currently holds the organ chair in Tom Jones's touring band, and has played with Van Morrison and James Hunter, as well as on piano and Rhodes. His courses get the real Hammond sound out of any keyboard - drawbar registration, the Leslie, the walking-bass left hand, and the comping and soloing vocabulary of the soul-jazz, blues and rock organ traditions, from Jimmy Smith to Booker T.































