Distorted hook in 'Gimme Some Lovin' ', Spencer Davis Group
Lesson time: (3min 45sec)
Course preview
This lesson is part of the course Play Authentic Hammond Organ
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Lesson transcript:
Music Lesson: Give Me Some Lovin' by The Spencer Davis Group
While we're with The Spencer Davis Group, another track you might be well acquainted with is one called Give Me Some Lovin'.
Main Riff
Steve Wynwood uses a very cranked, distorted organ for the main riff, the main hook of the song.
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Tone Setup:
- The only real way to get that tone is to turn the amp up and give it some welly.
- You don't want to turn it up until you blow your speaker.
- Start on the stop setting and point that towards the mic a bit.
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Drawbars:
- First four drawbars:
- First three
- Some of that one
- Some of the four
- Number four
- First four drawbars:
Playing the Riff
And the theme that we all know:
- "I'm not playing that at full volume."
- If you were to crank that up, you would be really getting those valves cooking.
There might be something like:
"That's kind of how we achieve that. It's valve technology, and it's something special."
Bassline and Technique
Obviously, your baseline would be something like that. But you're going to need two hands to play that riff.
- Technique: Slide down.
- He didn't on the record, but you could always use fast.
- You could always do that halfway through.
Breaking It Down
So, just broken down and played a bit slower, you can see the head riff there.
Verse and Bridge
If you want to get into the verse as well as the bridge:
- That's just G to C.
The Chorus
And the chorus there, phrase that however you want.
- You could play it high up for a nice rich tone.
- It's a very simple tune, so do your thing with it!
About the instructor

Joe Glossop is a keyboard player from Sheffield who has made his name on the Hammond organ. He currently holds the organ chair in Tom Jones's touring band, and has played with Van Morrison and James Hunter, as well as on piano and Rhodes. His courses get the real Hammond sound out of any keyboard - drawbar registration, the Leslie, the walking-bass left hand, and the comping and soloing vocabulary of the soul-jazz, blues and rock organ traditions, from Jimmy Smith to Booker T. read more




