Shenandoah (lesson)
With
Laurence Juber
What's in the course
16 lessons (1h 6m) · 1 free
01. A few comments on tuning & theory
Free lesson6:11
02. Amazing Grace (lesson)
10:51
03. Amazing Grace (performance)
1:19
04. Greensleeves (lesson)
8:36
05. Greensleeves (performance)
1:12
06. Shebeg & Shemore (lesson)
6:53
07. Shebeg & Shemore (performance)
1:54
08. Wayfaring Stranger (lesson)
7:35
09. Wayfaring Stranger (performance)
2:36
10. Shenandoah (lesson)
You are here5:34
11. Shenandoah (performance)
1:55
12. When The Saints Go Marching In (lesson)
3:47
13. When The Saints Go Marching In (performance)
0:43
14. Take Me Out To The Ballgame (lesson)
4:14
15. Take Me Out To The Ballgame (performance)
1:26
16. A few notes on the key of D Minor & sign-off
1:40
Lesson transcript
Shenandoah: Exploring the Key of G
Welcome to today's lesson where we will explore the key of G.
Why the Key of G?
- Useful in Dadgad Tuning: The V chord is our basic D zone with all those open strings.
- Resting Position: The G zone has a nice floating quality due to the presence of the sus 2 instead of the third.
Arrangement Overview
I have an arrangement of Shenandoah, which is a traditional song. It sits within a very small range, allowing us to stay in one position.
- Intro: I'm adding an intro using a melodic fragment before bringing the melody in.
- Bass Line: Notice how I move the bass line down. I could finger it differently, but I prefer this method as it keeps things ringing more and fills in the gaps.
Chord Progression:
- Going to: A, G7, E minor, C, G over B, A
You'll notice there are a few extra beats in the melody, which becomes a six-four bar. The end of this melodic phrase transitions into the beginning of my turnaround, which serves as my little intro passage before playing the tune again.
Adding Counterpoint
In the next section of the melody, I'll add some counterpoint. This means I'll echo the melody a beat or two later.
- Example Echo:
- If I play the melody, my echo would sound something like this [insert example melody here].
As I add the echo, I twist it slightly and then lead back into the intro.
Creating Texture
Let's revisit this concept:
- I'm creating texture by not merely picking through the chords.
- Instead, I'm taking melodic motifs and playing with them.
This technique isn't exclusive to Dadgad; it's a broader arranging technique that allows us to vary the melody.
Full Performance
Now, I'll play the entire arrangement for you:
This is Shenandoah in the key of G in Dadgad tuning.
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Meet your guru
Meet your guru
Laurence Juber first became known as lead guitarist in Paul McCartney's band Wings. Since then he has built a career as a fingerstyle guitarist, composer and arranger, working largely in the DADGAD tuning that earned him the nickname 'the Duke of DADGAD'.
He has been voted Guitarist of the Year by readers of Fingerstyle Guitar Magazine and named among the top guitarists by Acoustic Guitar magazine, alongside a long list of solo albums and worldwide touring.
In his courses he teaches his fingerstyle technique and the DADGAD tuning he's known for, how to arrange melody, harmony and bass together for solo guitar, and the pieces - like his signature 'Wooden Horses' - that bring it all together.
